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Drawings from a three volume set of wood carvings, Ranma-Zushiki (『欄間図式』, "ranma sketches") published in 1743 by Ōoka Shunboku, featured a colored origami cube. In 1993, Yasuo Koyanagi identified the cube as the Tamatebako, and the model was published in the book "Koten-ni-miri-origami" by Satoshi Tagaki.
Masahiro Chatani was a Japanese architect (certified, first class) and professor considered to be the creator of origamic architecture. From its development until his death in 2008, he was widely acknowledged to be the world's foremost origamic architect.
[1] [2] In Japan, ceremonial origami is generally called "origata" to distinguish it from recreational origami. The term "origata" is one of the old terms for origami. [3] [4] [5] The small number of basic origami folds can be combined in a variety of ways to make intricate designs. The best-known origami model is the Japanese paper crane.
He moved into a factory job in Tokyo when he was 13 years old. His passion for origami was rekindled in his early 20s, when he was promoted from factory worker to technical draftsman. His new job was to teach junior employees geometry. Yoshizawa used the traditional art of origami to understand and communicate geometrical problems. [1]
It is not certain when play-made paper models, now commonly known as origami, began in Japan. However, the kozuka of a Japanese sword made by Gotō Eijō (後藤栄乗) between the end of the 1500s and the beginning of the 1600s was decorated with a picture of a crane made of origami, and it is believed that origami for play existed by the Sengoku period or the early Edo period.
In 2001, Lang left the engineering field to be a full-time origami artist and consultant. [4] However, he still maintains ties to his physics background: he was the editor-in-chief of the IEEE Journal of Quantum Electronics from 2007 to 2010, and has done part-time laser consulting for Cypress Semiconductor , among others. [ 5 ]
Modular origami or unit origami is a multi-stage paper folding technique in which several, or sometimes many, sheets of paper are first folded into individual modules or units and then assembled into an integrated flat shape or three-dimensional structure, usually by inserting flaps into pockets created by the folding process. [3]
Maying Soong's 1948 book, The Art of Chinese Paper Folding, helped popularise recreational paper folding in the 20th century, and was possibly the first to distinguish the difference between Chinese versus Japanese paper folding – where the Chinese focus primarily on inanimate objects, such as boats or pagoda, the Japanese include representations of living forms, such as the crane. [4]