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Lace curtain Irish and shanty Irish are terms that were commonly used in the 19th and 20th centuries to categorize Irish people, particularly Irish Americans, by social class. The "lace curtain Irish" were those who were well off, while the "shanty Irish" were the poor, who were presumed to live in shanties, or roughly built cabins. [1]
The radio comic Fred Allen once offered a capsule definition of "lace curtain": "They have fruit in the house when no one's sick." Like similar terms, "lace-curtain Irish," while denoting a certain level of financial achievement, has connotations that go well beyond mere prosperity.
The use of Jacquards for producing patterned lace was well established. At the 1851 Great Exhibition, curtains 5 yards (460 cm) long by 2 yards (180 cm) wide were displayed. Their extensive designs required over 12,000 Jacquard cards. The curtain lace industry prospered with the advent of the fashion for large rising sash windows. [4]
The company was the world leader in Nottingham lace and also produced tablecloths, napkins, valances, and shower curtains, among many other types of lace items. During the 1940s, the company teamed up with subsidiaries such as Victory Parachutes , Inc. and Sweeney Bros. to manufacture parachutes and camouflage netting .
United States Lace Curtain Mills, also known as the Scranton Lace Company Kingston Mill, is a historic factory building located at Kingston, Ulster County, New York. It was completed about 1903, and is a complex of three parallel brick buildings connected by hyphens. It operated as a textile manufacturing facility until 1951. [2]
In the 17th century, the Duchesse de Longueville organised the manufacture of lace at Chantilly. [2] It has been produced from then until the present day. [3] It became popular because of the duchesse's patronage and Chantilly's proximity to Paris [2] and came into fashion again during the reigns of Louis XV and Louis XVI; [7] it was a special favorite of Louis XV's last mistress, Mme du Barry ...