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Bremond is named for Paul Bremond (1810–1885), [4] entrepreneur and founder of the Houston, East and West Texas Railroad 1875, who owned the surrounding land. Years later, the new owner, cotton baron William Marsh Rice, whose first wife was Bremond's daughter, Margaret, had the town surveyed and named after Bremond. The town was incorporated ...
The Bremond Block Historic District is a collection of eleven historic homes in downtown Austin, Texas, United States, constructed from the 1850s to 1910.. The block was added to National Register of Historic Places in 1970, and is considered one of the few remaining upper-class Victorian neighborhoods of the middle to late nineteenth century in Texas. [2]
Henri Marie Brémond was born in Aix-en-Provence, the son of Pierre and Thomasine Pons Brémond.His father was a notary; his mother died when he was fourteen. Three of his brothers became priests, two of them Jesuits.
Paul Bremond (October 11, 1810 – May 8, 1885) was an American businessman. He was a hatter , doing business in New York City and Philadelphia, and from 1840, a commission merchant in Galveston, in the Republic of Texas.
Édouard Brémond (5 November 1868, in Paris – 22 November 1948, in Paris) was a French Army general and colonel for the French Third Republic, who served as commanding officer of the French Colonies to the Hejaz from 1914 to 1916, and as chief administrator of Cilicia from 1919 to 1920.
Maria Röhl, Portrait of Jean-François Brémond, Paris, 1849. Jean-François Brémond, a pupil of Ingres and Couder, was born in Paris in 1807.He produced portraits as well as historical pictures.
Bremond followed in the footsteps of Vladimir Propp in the sense that he believed in offering readers different paths to choose from in a story. He wanted readers to "let go of the arrow or hold it back, let it reach the target or make it miss it". [2] Claude Bremond died in Bourg-la-Reine on 20 January 2021.
The initial home video release of the film was in pan and scan and lacked the full vertical height. After the film was restored in 1989, The Criterion Collection issued two Laserdisc editions, one in CAV and one in CLV. RCA/Columbia Pictures also issued a movie-only widescreen release of this restoration on Laserdisc.