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This chart is a general guide, but by no means a definitive or complete fingering chart for the recorder, an impossible task. Rather, it is the basis for a much more complex fingering system, which is still being added to today. Some fonts show miniature glyphs of complete recorder fingering charts in TrueType format. [51]
The F alto is a non-transposing instrument, though its basic scale is in F, that is, a fifth lower than the soprano recorder and a fourth higher than the tenor (both with a basic scale in C). So-called F fingerings are therefore used, as with the bassoon or the low register of the clarinet, in contrast to the C fingerings used for most other ...
The soprano recorder in C, also known as the descant, is the third-smallest instrument of the modern recorder family and is usually played as the highest voice in four-part ensembles (SATB = soprano, alto, tenor, bass). Since its finger spacing is relatively small, it is often used in music education for children first learning to play an ...
Just looked at the fingering charts. The fingering for F# in the 3rd octave needs to make it clear that the end of the recorder is covered. Is there any way this can be added easily to the chart (even just an asterisk with a note below)? Also I was a bit surprised by the fingerings for F# and G in the 3rd octave.
The sopranino recorder is the second smallest recorder of the modern recorder family, and was the smallest before the 17th century. This modern instrument has F 5 as its lowest note, and its length is 20 cm. It is almost always made from soft European or tropical hardwoods, though sometimes it is also made of plastic. A Baroque style sopranino ...
Recorder, tenor (AM 1998.60.41-1) The tenor recorder is a member of the recorder family. It has the same form as a soprano (or descant) recorder and an alto (or treble) recorder, but it produces a lower sound than either; a still lower sound is produced by the bass recorder and great bass recorder.
The great bass recorder is a member of the recorder family. With the revival of the recorder by Arnold Dolmetsch , who chose Baroque music and the corresponding recorder types as a fixed point, consideration was given to the design of recorder types larger than the bass recorder.
The Boehm system for the clarinet is a system of clarinet keywork, developed between 1839 and 1843 by Hyacinthe Klosé and Auguste Buffet jeune.The name is somewhat deceptive; the system was inspired by Theobald Boehm's system for the flute, but necessarily differs from it, since the clarinet overblows at the twelfth rather than the flute's octave.