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Wolfgang Amadeus Mozart's Flute Quartet No. 3 in C major, K. Anh. 171/285b, is the last of three quartets for the amateur flautist Ferdinand De Jean. Mozart's manuscript designates this work for flute, violin, viola and cello.
Concerto for Flute, Harp, and Orchestra in C major, K. 299 (1778) Oboe Concerto in C major, K. 314 (1777) (has come down to us as the second flute concerto, but was almost certainly an oboe concerto) Flute Concerto No. 1 in G major, K. 313 (1778) Flute Concerto No. 2 in D major, K. 314 (1778) (an arrangement of the above Oboe Concerto)
Sonata in A for Keyboard, Violoncello and Violin (or Flute), K. 12 (1764) Sonata in F for Keyboard, Violoncello and Violin (or Flute), K. 13 (1764) Sonata in C for Keyboard, Violoncello and Violin (or Flute), K. 14 (1764) Sonata in B-flat for Keyboard, Violoncello and Violin (or Flute), K. 15 (1764) Violin Sonatas, KV 26–31 (1766) Sonata in E ...
[2] [3] In 1953 musicologist Ernst Fritz Schmid published his discovery of a Cassation in G major for toys, 2 oboes, 2 horns, strings and continuo by Leopold Mozart [4] in seven movements, three of them identical to the well-known toy symphony, and concluded to have likely found the true composer. [5] Currently, this position is hardly ...
Keyboard sonata No. 27 G major c. 1774–76 XVI:28 Keyboard sonata No. 28 E ♭ major 1774–76 XVI:29 Keyboard sonata No. 29 F major c. 1774 XVI:30 Keyboard sonata No. 30 A major c. 1774–76 XVI:31 Keyboard sonata No. 31 E major c. 1774–76 XVI:32 Keyboard sonata No. 32 B minor 1774–76 XVI:33 Keyboard sonata No. 33: D major c. 1777 XVI:34 ...
A ♭ major: c.1773: Authenticity doubted by some authorities. Published 1783 in London 36: 21: C major: 1773: For Prince Nicholas Esterhazy. Published 1774 in Vienna by Kurzböck as part of 6 sonatas Op. 13 37: 22: E major: 1773: For Prince Nicholas Esterhazy. Published 1774 in Vienna by Kurzböck as part of 6 sonatas Op. 13 38: 23: F major ...
Haydn first heard the quartets at two gatherings at Mozart's home, 15 January and 12 February 1785. After hearing them all, Haydn remarked to Mozart's father Leopold: "Before God, and as an honest man, I tell you that your son is the greatest composer known to me either in person or by name. He has taste, and, what is more, the most profound ...
The final movement is a lively contredanse in sonata form. The exposition lasts 136 bars, the development 62, and Mozart includes a 48-bar coda. There is a great deal of rhythmic variety in the movement. Mozart evokes Haydn's witty deployment of rests, which creates textural variety and contrasts the melodic material.