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Reason and Revolution: Hegel and the Rise of Social Theory (1941; second edition 1954) is a book by the philosopher Herbert Marcuse, in which the author discusses the social theories of the philosophers Georg Wilhelm Friedrich Hegel and Karl Marx.
Herbert Marcuse was born July 19, 1898, in Berlin, to Carl Marcuse and Gertrud Kreslawsky.Marcuse's family was a German upper-middle-class Jewish family that was well integrated into German society. [6]
She disputed Robert B. Pippin's view that the work provides the basis for many elements of a full critical theory, but also rejected Jean-Michel Palmier's view that it was made obsolete by Marcuse's subsequent study on Hegel, Reason and Revolution (1941). She criticized Marcuse for the style of his work in the original German, and for failing ...
Counterrevolution and Revolt was reviewed by the gay rights activist Jearld Moldenhauer in The Body Politic.Moldenhauer suggested that Marcuse found the gay liberation movement insignificant, and criticized Marcuse for ignoring it even though "many gay activists" had been influenced by his earlier book Eros and Civilization (1955).
He was a leading member of the Frankfurt School of critical theory, whose work has come to be associated with thinkers such as Ernst Bloch, Walter Benjamin, Max Horkheimer, Erich Fromm, and Herbert Marcuse, for whom the works of Sigmund Freud, Karl Marx, and G. W. F. Hegel were essential to a critique of modern society.
One-Dimensional Man: Studies in the Ideology of Advanced Industrial Society is a 1964 book by the German–American philosopher and critical theorist Herbert Marcuse, in which the author offers a wide-ranging critique of both the contemporary capitalist society of the Western Bloc and the communist society of the Soviet Union, documenting the parallel rise of new forms of social repression in ...
Pages in category "Works by Herbert Marcuse" The following 10 pages are in this category, out of 10 total. ... Reason and Revolution; S. Secret Reports on Nazi Germany;
Repressive desublimation is a term, first coined by Frankfurt School philosopher and sociologist Herbert Marcuse in his 1964 work One-Dimensional Man, that refers to the way in which, in advanced industrial society (), "the progress of technological rationality is liquidating the oppositional and transcending elements in the “higher culture.” [1] In other words, where art was previously a ...