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Soundcraft first made its mark by manufacturing the Series 1, the first mixing console built into a flight-case. [2] It was available with 12 or 16 input channels and 4 outputs—main stereo, plus a post-fader ‘echo’ send and pre-fader foldback. Each channel had four-band fixed-frequency EQ.
Graham Blyth (22 March 1948 – 22 October 2024) was an English audio engineer, known for designing mixing consoles.He co-founded Soundcraft, a manufacturer which Blyth helped form into a world leader in sound reinforcement and recording mixers, establishing the "British sound".
The matrix mixer has 8 vertical faders to control output level, 8 light gray potentiometers (rotating pots) for input level control, and 64 dark gray pots for matrix mixing. There are also 64 on/off buttons, one for each input/output intersection. A matrix mixer is an audio electronics device that routes multiple input audio signals to
A mixing console or mixing desk is an electronic device for mixing audio signals, used in sound recording and reproduction and sound reinforcement systems. Inputs to the console include microphones , signals from electric or electronic instruments, or recorded sounds.
Audio mixing for film and television is a process during the post-production stage of a moving image program by which a multitude of recorded sounds are combined. In the editing process, the source's signal level, frequency content, dynamics, and panoramic position are commonly manipulated and effects added.
A mixer (mixing console, mixing desk, mixing board, or software mixer) is the operational heart of the mixing process. [10] Mixers offer a multitude of inputs, each fed by a track from a multitrack recorder. Mixers typically have 2 main outputs (in the case of two-channel stereo mixing) or 8 (in the case of surround).
The output from a DJ mixer is typically plugged into a sound reinforcement system or a PA system at a dance, rave, nightclub or similar venue or event. The sound reinforcement system consists of power amplifiers which amplify the signal to the level that can drive speaker enclosures, which since the 1980s typically include both full-range speakers and subwoofers for the deep bass sounds.
Others are intended for use with a digital mixer, and a cable can be connected directly from the stage box to the mixer, or through an Ethernet switch in some cases. One of the main disadvantages of digital stage boxes, and digital audio systems in general, is their latency which is introduced in the analog-to-digital and digital-to-analog ...