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The Cité internationale des arts was a Franco-Scandinavian idea proposed by the Finnish artist Eero Snellman (1890-1951) during a speech at the 1937 Exposition Internationale des Arts et Techniques dans la Vie Moderne. It was only after the Second World War that this idea was taken up by Mr. and Mrs. Félix Brunau and became a real project.
The Musée des Arts Forains (French pronunciation: [myze dez‿aʁ fɔʁɛ̃], Fairground Museum) is a private museum of funfair and fairground objects located within the Pavillons de Bercy in the 12th arrondissement of Paris at 53, avenue des Terroirs de France, Paris, France. It is open to the public by prior reservation.
The Viaduc des Arts is a converted train line located in the 12th arrondissement of Paris which is now both a series of workshops for highly skilled artisans and, on the top level, the Promenade Plantée, a linear park. It was formerly the "Viaduc de Bastille," for the trains of the Paris-Bastille-Vincennes line.
The CNAP has its origins in the Division des Beaux-Arts (Fine Arts Division) created in 1791 just after the French Revolution with its own budget to encourage living artists and educate citizens. This was succeeded in turn by the Bureau des Beaux-Arts in 1800, Bureau de l'encouragement des Arts in 1879, the Bureau des Travaux d'art in 1882 and ...
Le Bal is an independent arts centre in Paris. [1] It focuses on documentary photography, video, cinema and new media through exhibitions, production, book publishing, talks and debates. Le Bal has around 350 m² of exhibition space divided across two floors; a bookshop, Le Bal Books; [ 2 ] and café, Le Bal Café .
Le beau dans l'utile: Un musée pour les arts décoratifs, Paris: Gallimard, ISBN 2-07-053196-1; Salmon, Béatrice (2006). Chefs-d'oeuvre du musée des Arts décoratifs, Paris: Les Arts Décoratifs, ISBN 2901422861 ISBN 978-2901422860; Rawsthorne, Alice. "A Paris Mecca of the decorative arts opens anew", International Herald Tribune, September ...
Cabaret des Quat'z'Arts ("cabaret of the four arts") was a venue at 62 Boulevard de Clichy, in Paris, France. The interdisciplinary mixture of the arts created avant-garde collaborative performances. The interdisciplinary mixture of the arts created avant-garde collaborative performances.
First, a letter code in the upper part indicating the date of production of the piece, and second the initials of the piece's painter in the lower part. This dating system has been adopted from 1941. Le Tallec's pieces without these marks are likely to be produced between 1930 and 1941.