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Wood is most often used to create furniture, in both traditional (esp. rustic colonial) and modern designs. [12] The community of San Pedro Tultepec in the municipality of Lerma is noted for its production of handcrafted furniture, ranging from rustic colonial to modern European designs. This production began in the late 1980s and has grown to ...
Wood and fiber crafts for sale at the municipal market in Pátzcuaro. Dolls made of cartonería from the Miss Lupita project.. Mexican handcrafts and folk art is a complex collection of items made with various materials and fashioned for utilitarian, decorative or other purposes, such as wall hangings, vases, toys and items created for celebrations, festivities and religious rites. [1]
The most common item is furniture of various types. The best known furniture piece produced in the state is the equipal chair, which are round made with strips of wood and backs and seats of leather. [3] This chair has become common in Mexican restaurants in Mexico and the United States, as well as popular for gardens and terraces.
What mostly links the yarn paintings and beaded objects made today is the continuance of the traditional patterns used for centuries to represent and communicate with the gods. [2] The use of commercial materials has allowed for the production of more elaborate designs and brighter colors, as well as more flexibility in how traditional concepts ...
Mexican lacquerware (laca or maque in Mexican Spanish) is one of the country's oldest crafts, having independent origins from Asian lacquerware. In the pre-colonial period , a greasy substance from the aje larvae and/or oil from the chia seed were mixed with powdered minerals to create protective coatings and decorative designs.
High fire ceramic with traditional designs at the Museo Regional de la Ceramica, Tlaquepaque.. Ceramics of Jalisco, Mexico has a history that extends far back in the pre Hispanic period, but modern production is the result of techniques introduced by the Spanish during the colonial period and the introduction of high-fire production in the 1950s and 1960s by Jorge Wilmot and Ken Edwards.