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The Samba de Roda is a celebratory event incorporating music, choreography and poetry. The term "Samba" encompassed many different rhythms, tunes, drumming and dances of various periods and areas of the Brazilian territory. It appeared in the state of Bahia, more specifically in the region of Recôncavo in Brazil, during the 17th century.
Samba (Portuguese pronunciation: ⓘ) is a name or prefix used for several rhythmic variants, such as samba urbano carioca (urban Carioca samba), [1] [2] samba de roda (sometimes also called rural samba), [3] amongst many other forms of samba, mostly originated in the Rio de Janeiro and Bahia states.
Lyrics, instruments, and even melodies often have connections to African culture and even influence culture and music in other countries today. It is strongly influenced by African rhythms. The most well known sub-genres of Afro-Brazilian musical genres are samba, marabaixo, maracatu, ijexá, coco, jongo, carimbó, lambada, maxixe, and maculelê.
A capoeira roda in Farroupilha Park, Porto Alegre, Brazil (2007). Roda (Portuguese pronunciation: - wheel or circle) is the circular formation within which participants perform in any of several African and Afro-Brazilian dance art forms, such as engolo, capoeira, maculelê and samba de roda.
The most renowned tunes published officially with the denomination 'samba-canção' are as follows. [1] Year 1945 - Dora (Lyrics and music by Dorival Caymmi/First public performance or recording by himself) 46 - Saia do caminho (Custódio Mesquita & Eduardo Rui/Aracy de Almeida) - Copacabana (João de Barro & Albero Ribeiro/Dick Farney)
Samba de roda was brought to Rio de Janeiro by Bahians around 1900, where it was combined with harmonic and rhythmic elements from European influences (such as chorinho and military marches). By the 1930s, samba de roda had developed into the faster, more harmonically complex Rio-style samba that is now played in Rio's Carnival. Through the ...
"Samba Italiano" [1] (Italian Samba) is a popular samba song composed in 1965 by Adoniran Barbosa (1912–1982), who was a son of Italian immigrants from Valinhos, Brazil, and knew well the pidgin Italian-Portuguese dialect spoken in the streets of São Paulo, mostly in the Mooca, Brás and Bexiga sections.
Pelo Telefone (English: On the Telephone) is a song attributed to the Brazilian guitarist and composer Donga and considered to be the first samba song to be recorded in Brazil, according to records at the National Library of Brazil, [3] [4] although earlier recordings exist, such as "Samba - Em Casa da Bahiana" (1913) [5] and "Urubu Malandro" (1914).