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(in German) Gottfried Heinrich Stoelzel (Gottfried Heinrich Stoelzel at the Wayback Machine (archived 16 June 2016)) – Biography, Ruhr-Universität Bochum; Gottfried Heinrich Stölzel – Biography at bach-cantatas.com; Gottfried Heinrich Stölzel - Brockes Passion, openingsdeel (broadcast 18 April 2014, fragment) at Nederlandse Publieke ...
In his catalogue published in 1976 Fritz Hennenberg numbered 442 of Stölzel's church cantatas and 27 of his secular cantatas as surviving with music. Hennenberg also numbered the cantata cycles, although some of his assumptions in that regard were later revised after further research.
Pages in category "Compositions by Gottfried Heinrich Stölzel" The following 4 pages are in this category, out of 4 total. This list may not reflect recent changes .
First page of Gottfried Heinrich Stölzel's Ein Lämmlein geht und trägt die Schuld, from a score preserved in Berlin. [1]Ein Lämmlein geht und trägt die Schuld, also known by the title of its earliest extant printed libretto, Die leidende und am Creutz sterbende Liebe Jesu, is a Passion oratorio by Gottfried Heinrich Stölzel, composed in 1720.
Heinrich David Stölzel (7 September 1777 – 16 February 1844) was a German horn player who developed some of the first valves for brass instruments. He developed the first valve for a brass musical instrument , the Stölzel valve, in 1818, and went on to develop various other designs, some jointly with other inventor musicians.
Gottfried Heinrich Stölzel (1690–1749), German baroque composer Heinrich Stölzel (1777–1844), German horn player Ingrid Stölzel (born 1971), German composer of classical music
Gilbert Gottfried's Best Family Photos With Wife Dara Kravitz and 2 Kids. Read article. The former Sneaky Pete star also gave a shout-out to Gottfried’s wife, Dara Kravitz, and their two ...
Bist du bei mir, geh ich mit Freuden" (If you are with me, I go with joy) is an aria from Gottfried Heinrich Stölzel's opera Diomedes, which was first staged on 16 November 1718. The aria is best known as " Bist du bei mir ," BWV 508, a version for voice and continuo found as No. 25 in the 1725 Notebook for Anna Magdalena Bach .