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Generic names include black frame insertion and scanning backlight. Philips created Aptura, also known as ClearLCD, to strobe the backlight in order to reduce the sample time and thus the retinal blurring due to sample-and-hold. [7] [8] Samsung uses strobed backlighting as part of their "Clear Motion Rate" technology. [9]
Newer HD TVs have a default setting that can make watching sports or other live TV look nice and smooth. It’s called “motion smoothing” or “motion interpolation,” and it smooths out fast ...
* Various Video Compatibility: Sourced by camera, the TV backlight compatible with any form of television images like Internet TV, YouTube, DVD player, Online video. The color of the smart tv ...
For several years (until about 2010), the preferred backlight for matrix-addressed large LCD panels such as in monitors and TVs was based on a cold-cathode fluorescent lamp (CCFL) by using two CCFLs at opposite edges of the LCD or by an array of CCFLs behind the LCD (see picture of an array with 18 CCFLs for a 40-inch LCD TV). Due to the ...
The TV is natively only capable of displaying 120 frames per second, and basic motion interpolation which inserts between 1 and 4 new frames between existing ones. Typically the only difference from a "120 Hz" TV in this case is the addition of a strobing backlight , which flickers on and off at 240 Hz, once after every 120 Hz frame.
An LED-backlit LCD is a liquid-crystal display that uses LEDs for backlighting instead of traditional cold cathode fluorescent (CCFL) backlighting. [1] LED-backlit displays use the same TFT LCD (thin-film-transistor liquid-crystal display) technologies as CCFL-backlit LCDs, but offer a variety of advantages over them.
A Nikon-style mode dial showing shutter priority mode.. Shutter priority (usually denoted as S on the mode dial), also called time value (abbreviated as Tv), refers to a setting on cameras that allows the user to choose a specific shutter speed while the camera adjusts the aperture to ensure correct exposure.
This process included a lengthy alignment process in which the vision engineer would work with the camera operator, to adjust the settings on both the actual camera and the CCU in tandem. [1] During production, it was the vision engineers' job to operate the CCUs and control both the exposure and the colour balance .