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A list of metaphors in the English language organised alphabetically by type. A metaphor is a literary figure of speech that uses an image, story or tangible thing to represent a less tangible thing or some intangible quality or idea; e.g., "Her eyes were glistening jewels".
In cinema, a trope is what The Art Direction Handbook for Film defines as "a universally identified image imbued with several layers of contextual meaning creating a new visual metaphor". [1] A common thematic trope is the rise and fall of a mobster in a classic gangster film. The film genre also often features the sartorial trope of a rising ...
These are not merely catchy sayings. Even though some sources may identify a phrase as a catchphrase, this list is for those that meet the definition given in the lead section of the catchphrase article and are notable for their widespread use within the culture. This list is distinct from the list of political catchphrases.
This is a partial list of works that use metafictional ideas. Metafiction is intentional allusion or reference to a work's fictional nature. It is commonly used for humorous or parodic effect, and has appeared in a wide range of mediums, including writing, film, theatre, and video gaming.
Turning Red shows the power of movies to be both culturally specific and universally relatable.. Pixar’s new coming-of-age comedy follows a 13-year-old Asian-Canadian whiz kid named Mei (Rosalie ...
Part of the American Film Institute's 100 Years... series, AFI's 100 Years... 100 Movie Quotes is a list of the top 100 quotations in American cinema. [1] The American Film Institute revealed the list on June 21, 2005, in a three-hour television program on CBS .
Films on the list span a period of 80 years, starting with Sherlock Jr. (1924) directed by Buster Keaton, and finishing with Finding Nemo (2003) directed by Andrew Stanton. Of the 33 films in the list that were released before 1950, only 6 were produced outside Hollywood, and 13 of those 27 American films were directed by men born abroad: [4]
The white savior is a cinematic trope in which a white central character rescues non-white (often less prominent) characters from unfortunate circumstances. [1] This recurs in an array of genres in American cinema, wherein a white protagonist is portrayed as a messianic figure who often gains some insight or introspection in the course of rescuing non-white characters (or occasionally non ...