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A herbaceous border is a collection of perennial herbaceous plants (plants that live for more than two years and are soft-stemmed and non-woody) arranged closely together, usually to create a dramatic effect through colour, shape or large scale. The term herbaceous border is mostly in use in the United Kingdom and the Commonwealth.
Zygomorphic ("yoke shaped", "bilateral" – from the Greek ζυγόν, zygon, yoke, and μορφή, morphe, shape) flowers can be divided by only a single plane into two mirror-image halves, much like a yoke or a person's face. Examples are orchids and the flowers of most members of the Lamiales (e.g., Scrophulariaceae and Gesneriaceae).
(white flag, charged with the Olympic rings in blue, yellow, black, green, and red, representing the five continents Europe, Asia, Africa, America, and Oceania) Flag of the People's Republic of China (red flag, charged with yellow canton stars in the top left corner, colors reminiscent of the Flag of the Qing dynasty and the Flag of the ...
Flower color is another important feature of both the herbaceous border and the mixed border that includes shrubs as well as herbaceous plants. Flower gardens are sometimes tied in function to other kinds of gardens, like knot gardens or herb gardens , many herbs also having decorative function, and some decorative flowers being edible.
Georgia O'Keeffe, Untitled, vase of flowers, watercolor on paper, 17 + 3 ⁄ 4 in × 11 + 1 ⁄ 2 in (45.1 cm × 29.2 cm), between 1903 and 1905 O'Keeffe experimented with depicting flowers in her high school art class.
Regularly trimmed plants do not produce flowers or fruit. Ligustrum ovalifolium is the most common hedging plant species in cultivation in the United Kingdom. [7] [8] Several cultivars are used in gardens and for hedging, including Ligustrum ovalifolium 'Aureum', the golden privet, with oval, rich yellow leaves with green centers. [9]
Shaped canvases are paintings that depart from the normal flat, rectangular configuration. Canvases may be shaped by altering their outline, while retaining their flatness. An ancient, traditional example is the tondo, a painting on a round panel or canvas: Raphael, as well as some other Renaissance painters, sometimes chose this format for madonna paintings. [1]