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This is a partial list of songs that originated in movies that charted (Top 40) in either the United States or the United Kingdom, though frequently the version that charted is not the one found in the film. Songs are all sourced from, [1] [2] and,. [3] For information concerning music from James Bond films see
AFI's 100 Years...100 Songs is a list of the top 100 songs in American cinema of the 20th century. The list was unveiled by the American Film Institute on June 22, 2004, in a CBS television special hosted by John Travolta, who appeared in two films honored by the list, Saturday Night Fever and Grease. The list was created by a panel of jurors ...
Part of the AFI 100 Years... series, AFI's 100 Years of Film Scores is a list of the top 25 film scores in American cinema. The list was unveiled by the American Film Institute in 2005. John Williams has the most scores in the top 25, with three: E.T. the Extra-Terrestrial, Jaws, and the top choice, Star Wars.
Created as a track for the disco film Saturday Night Fever (1977), "Stayin' Alive" became one of the greatest and most popular songs to ever arise from a movie soundtrack. Funnily enough, the song ...
The 1980s produced chart-topping hits in pop, hip-hop, rock, and R&B. Here's a list of the best songs from the time, ranging from Toto to Michael Jackson.
When adjusted for inflation, the highest-grossing musical films are The Sound of Music, with an inflation-adjusted worldwide gross of $2,572,000,000; followed by Snow White and the Seven Dwarfs, with an inflation-adjusted worldwide gross of $1,977,000,000 (both as of 2019). [a] The top five films are among the highest-grossing films of all time.
All Time Greatest Movie Songs is a joint effort with Columbia Records of Sony Music UK to release movie compilations in 1999. [1] Most of the soundtrack songs are throughout the 90s with the exception of "Modern Woman" by Billy Joel, which was released in the 80s.
As of 2019, the Academy's rules stipulate that "an original song consists of words and music, both of which are original and written specifically for the motion picture.. It must be clearly audible, intelligible, substantive rendition (not necessarily visually presented) of both lyric and melody, used in the body of the motion picture or as the first music cue in the end credit