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Lorenzo Bartolini, (Italian, 1777–1850), La Table aux Amours (The Demidoff Table), Metropolitan Museum of Art, New York City, Marble sculpture. Marble has been the preferred material for stone monumental sculpture since ancient times, with several advantages over its more common geological "parent" limestone, in particular the ability to absorb light a small distance into the surface before ...
The marble sculpture depicts a reclining nude of a boy leaning on his right elbow. The boy holds a bouquet of poppies in his hands. Poppies were used by Starkopf as a symbol of transience. The front of the simple plinth is carved with Arenschild's birth and death dates. [9]
In geology, the term marble refers to metamorphosed limestone, but its use in stonemasonry more broadly encompasses unmetamorphosed limestone. [2] Marble is commonly used for sculpture and as a building material.
Carrara marble, or Luna marble (marmor lunense) to the Romans, is a type of white or blue-grey marble popular for use in sculpture and building decor. It has been quarried since Roman times in the mountains just outside the city of Carrara in the province of Massa and Carrara in the Lunigiana , the northernmost tip of modern-day Tuscany , Italy.
Assemblée, marble, 158 cm (62 in), Saillon's School Centre, 2003. Raymond won first prize for the creation of a sculpture in marble for the Saillon's School Centre. Representing a group of children, this sculpture prefigures, through its very simple forms and raw material, the evolution of the artist's movement toward the abstract. [12]
The city of Aphrodisias, because of its proximity to marble deposits, was a sculpture hub of the ancient world. Most human heads, if they were to stand on their own, measure just under 10 inches tall.