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600 Tahun Sang Merah-Putih, jaitu Uraian Tentang Hasil-Penjelidikan Sedjarah dan Arti jang dikandung Sang Merah-Putih Sebagai Warna-Kebangsaan. Penerbit Siguntang. Wasitaatmadja, Fokky Fuad (2018). Spiritualisme Pancasila. Prenada Media. ISBN 9786024222673
It is divided into five sections: a background divided into quarters, colored red and white (the colors of the national flag) in a checkerboard pattern; and a smaller, concentric shield, black in background. A thick, black line lies horizontally across the shield, symbolizing the equator which passes through the Indonesian archipelago. [2]
The flag has a red background that is charged with the emblem of the CCP in gold at the top left corner. [61] The flag ratio is defined as two by three (24×36 units); the size of the emblem is eight units square, placed four units away from the hoist and three units away from the top of the flag. [60]
The arabesque-like red, white, and black gorga pattern decorates the facade of this Batak Toba house.. Gorga is a form of artistic decoration found in the culture of Batak Toba in North Sumatra, Indonesia.
Pocong Merah or red shroud ghost is arguably the most feared pocong variant due to its violent and dangerous nature, despite its rarity. It is said to be born out of a person who wished to seek revenge for an unpleasant death, making it more akin to a vengeful spirit often found in many folklores in the West.
Wayang golek (wooden puppet) performance, Indonesia The history of the wayang golek began in the 17th century. Initially, the wayang golek art emerged and was born on the north coast of the island of Java, especially in Cirebon, the wayang used is the wayang cepak in the form of a papak or flat head.
A flag with a red background, a white disk and a hand holding a rifle- bayonet in the middle. 1971–1972: Flag of Provisional Government of the People's Republic of Bangladesh, used after independence too. In recent years often used during protests as a legacy symbol of the original vision of the country during the liberation war.
In the CMYK model, it is the opposite: white is the natural color of the paper or other background, and black results from a full combination of colored inks. To save cost on ink, and to produce deeper black tones, unsaturated and dark colors are produced by using black ink instead of or in addition to combinations of cyan, magenta, and yellow.