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Mask of Tutankhamun; Type: Death mask: Material: Gold, lapis lazuli, carnelian, obsidian, turquoise, and glass paste [1] Size: 54 × 39.3 × 49 cm (21.3 x 15.5 x 19.3 in) Created: c. 1323 BC: Discovered: 28 October 1925 AD [2] Discovered by: Howard Carter (archaeologist) Place: Tomb of Tutankhamun at the Valley of the Kings: Present location ...
The death mask of 18th century sailor Richard Parker Golden funeral mask of Tutankhamun Posthumous portrait bust of Henry VII of England by Pietro Torrigiano, supposedly made using his death mask. A death mask is a likeness (typically in wax or plaster cast) of a person's face after their death, usually made by taking a cast or impression from ...
The other iron objects were wrapped with Tutankhamun's mummy; these include a miniature headrest contained inside the golden death mask, an amulet attached to a golden bracelet and a dagger blade with gold haft. All were made by relatively crude methods with the exception of the dagger blade which is clearly expertly produced.
“This mask was not made for an adult male pharaoh,” said ... King Tut’s iconic mask is 21 inches tall, inlaid with precious stones, and features a 5.5-pound golden beard as part of the ...
Tutankhamun was the 13th pharaoh of the 18th Dynasty of the New Kingdom and ruled for about a decade c. 1355–1346 BCE. A majority of his reign was devoted to restoring Egyptian culture, including religious and political policies; his predecessor and father Akhenaten had altered many Egyptian cultural aspects during his reign, and one of Tutankhamun's many restoration policies included ...
The Egyptians continued their practice of burying their dead, despite the Roman preference for cremation. While under the control of the Roman Empire, Egyptian death masks were painted on wood in a pigmented wax technique called encaustic—the Faiyum mummy portraits represent this technique. [20]
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In contrast, mummification appears to have been practised by large parts of the population. The mummy mask, originally an Egyptian concept, grew more and more Graeco-Roman in style, Egyptian motifs became ever rarer. The adoption of Roman portrait painting into Egyptian burial cult belongs in this general context. [33]