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Vespers are traditionally framed by the opening versicle and response from Psalm 70, and the closing blessing. [14] On ordinary Sundays, the vespers service might be sung in Gregorian chant, while on high holidays, such as the feast day of a patron saint, elaborate concertante music was preferred. In his Vespers, Monteverdi may have offered ...
Vespers is the only liturgy in the Armenian daily office other than the Morning Service which has hymns proper to the commemoration, feast, or tone assigned to it: a vespers hymn after Psalm 142 (or after Gladsome Light if it is appointed for the day) and the "Lifting-up Hymn" after Psalm 121. Vespers undergoes a wide range of changes depending ...
Gregorian chant is the central tradition of Western plainchant, a form of monophonic, unaccompanied sacred song in Latin (and occasionally Greek) of the Roman Catholic Church. Gregorian chant developed mainly in western and central Europe during the 9th and 10th centuries, with later additions and redactions.
The Liber Usualis (Usual book) is a book of commonly used Gregorian chants in the Catholic tradition, compiled by the monks of the Abbey of Solesmes in France. According to Willi Apel , the chants in the Liber Usualis originated in the 11th century.
Ave maris stella in a 14th-century antiphonary "Ave maris stella" (Latin for 'Hail, star of the sea') is a medieval Marian hymn, usually sung at Vespers.It was especially popular in the Middle Ages and has been used by many composers, as the basis of other compositions.
[5] In the daily pattern of Vespers in the Roman Breviary, Lucis Creator Optime is the first in a sequence of hymns which allude to the seven days of the Biblical creation. [6] As with much traditional evening hymnody in Christian worship, the text makes reference to the creation of life by God, and allusions to the sun's rays and contrasting ...
The tonus peregrinus is an exceptional psalm tone in Gregorian chant: there it was most clearly associated with Psalm 113, traditionally sung in vespers.In Lutheranism, the tonus peregrinus is associated with the Magnificat (also usually sung in vespers): the traditional setting of Luther's German translation of the Magnificat ("Meine Seele erhebt den Herren") is a German variant of the tonus ...
"This hymn spans all of salvation history, from creation to the end of time when the entire created order will be redeemed and caught up in the life of the Trinity." [3] The hymn has been mainly used in the Divine Office at Vespers. Because the Christian Church has inherited the Jewish practice of reckoning days from sunset to sunset, many ...