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Origami (折り紙, Japanese pronunciation: or [oɾiꜜɡami], from ori meaning "folding", and kami meaning "paper" (kami changes to gami due to rendaku)) is the Japanese art of paper folding. In modern usage, the word "origami" is often used as an inclusive term for all folding practices, regardless of their culture of origin.
Norio Torimoto (Japanese: 鳥本 範雄, born 1948 in Japan) is one of the best-known representatives of origami art. Since 1971, he has been represented in museums, exhibitions and participated in other events where Japanese culture has been the focus.
Akira Yoshizawa (吉澤 章, Yoshizawa Akira, 14 March 1911 – 14 March 2005) was a Japanese origamist, considered to be the grandmaster of origami.He is credited with raising origami from a craft to a living art.
Kōshō Uchiyama – Sōtō priest, origami master, and abbot of Antai-ji near Kyoto, Japan, and author of more than twenty books on Zen Buddhism and origami Miguel de Unamuno – Spanish essayist, novelist, poet, playwright and philosopher who devised many new models and popularized origami in Spain and South America.
It is not certain when play-made paper models, now commonly known as origami, began in Japan. However, the kozuka of a Japanese sword made by Gotō Eijō (後藤栄乗) between the end of the 1500s and the beginning of the 1600s was decorated with a picture of a crane made of origami, and it is believed that origami for play existed by the Sengoku period or the early Edo period.
Tomoko Fuse (布施 知子, Fuse Tomoko, born in Niigata, 1951) is a Japanese origami artist and author of numerous books on the subject of modular origami, and is by many considered as a renowned master in such discipline.
The origami crane diagram, using the Yoshizawa–Randlett system. The Yoshizawa–Randlett system is a diagramming system used to describe the folds of origami models. Many origami books begin with a description of basic origami techniques which are used to construct the models.
Jun Maekawa (前川 淳, Maekawa Jun, 1958-) is a Japanese software engineer, mathematician, and origami artist. He is known for popularizing the method of utilizing crease patterns in designing origami models, with his 1985 publication Viva Origami, as well as other paperfolding-related theorems and mathematical analysis.