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A rhyme scheme is the pattern of rhymes at the end of each line of a poem or song. It is usually referred to by using letters to indicate which lines rhyme; lines designated with the same letter all rhyme with each other. An example of the ABAB rhyming scheme, from "To Anthea, who may Command him Anything", by Robert Herrick:
A pantun is traditionally recited according to a fixed rhythm and as a rule of thumb, in order not to deviate from the rhythm, every line should contain between eight and 12 syllables. "The pantun is a four-lined verse consisting of alternating, roughly rhyming lines. The first and second lines sometimes appear completely disconnected in ...
In the School Library Journal, Kay E. Vandergrift was critical of the book, opining that the poems communicate a "sort of smug superiority of adults" mocking the shortcomings of children instead of "genuine childlike humor" and that it "reinforces low self-esteem in children" while "[glorifying] the worst behavior". [4]
English-language haiku is an example of an unrhymed tercet poem. A poetic triplet is a tercet in which all three lines follow the same rhyme, AAA; triplets are rather rare; they are more customarily used sparingly in verse of heroic couplets or other couplet verse, to add extraordinary emphasis. [2]
The sonnet is written in iambic pentameter, a type of metre in which each line is based on five pairs of metrically weak/strong syllabic positions. The fifth line exhibits a regular iambic pattern: × / × / × / × / × / Now stand you on the top of happy hours, (16.5) / = ictus, a metrically strong syllabic position. × = nonictus.
The favoured tail rhyme stanza forms, too, also shortened, with fewer examples of the twelve- and sixteen-line tail rhyme stanzas that had proved successful in Middle English. [16] From the sixteenth to the nineteenth century, the most popular tail rhyme stanza was AABCCB, with the main lines in tetrameter and the B-lines in either trimeter or ...
Gerard Manley Hopkins' poem The Windhover, for example, divides the word "kingdom" at the end of the first line to rhyme with the word "wing" ending the fourth line. Hopkins is rare in using the device in serious poems. More commonly, the device is used in comic or playful poetry, as in the sixth stanza of Edward Lear's "How Pleasant to Know Mr ...
A sestain is a six-line poem or repetitive unit of a poem of this format , comparable to quatrain (Ruba'i in Persian and Arabic) which is a four-line poem or a unit of a poem. There are many types of sestain with different rhyme schemes, for example AABBCC, ABABCC, AABCCB or AAABAB. [1]