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The representation of women in Athenian tragedy was performed exclusively by men and it is likely (although the evidence is not conclusive) that it was performed solely for men as well. [1] The question whether or not women were admitted at theatre is widely contested and tends to polarise fronts. [ 2 ]
The economic power of Athenian women was legally constrained. Historians have traditionally considered that ancient Greek women, particularly in Classical Athens, lacked economic influence. [146] Athenian women were forbidden from entering a contract worth more than a medimnos of barley, enough to feed an average family for six days. [147]
Women of Trachis or The Trachiniae (Ancient Greek: Τραχίνιαι, Trachiniai) c. 450–425 BC, is an Athenian tragedy by Sophocles. Women of Trachis is generally considered to be less developed than Sophocles' other works, and its dating has been a subject of disagreement among critics and scholars.
Women, as represented by Calonice, are sly hedonists in need of firm guidance and direction. In contrast, Lysistrata is portrayed to be an extraordinary woman with a large sense of individual and social responsibility. She has convened a meeting of women from various Greek city-states that are at war with each other. Soon after she confides in ...
Ancient Greek theatre in Delos The theatron was the seating area, built into a hill to create a natural viewing space. The first seats in Greek theatres (other than just sitting on the ground) were wooden, but around 499 BC, the practice of inlaying stone blocks into the side of the hill to create permanent, stable seating became more common.
Greek tragedy (Ancient Greek: τραγῳδία, romanized: tragōidía) is one of the three principal theatrical genres from Ancient Greece and Greek-inhabited Anatolia, along with comedy and the satyr play. It reached its most significant form in Athens in the 5th century BC, the works of which are sometimes called Attic tragedy.
The idea of women surpassing their Athenian social order is also seen in Sophocles’ tragedy Antigone. [3] According to Erich Segal, reading the play as a genuine exploration of female power is incorrect. It follows Aristophanes’ conflict structure of the republic in trouble, a solution suggested and that solution ultimately failing.
Aspasia (/ æ ˈ s p eɪ ʒ (i) ə,-z i ə,-ʃ ə /; [2] Ancient Greek: Ἀσπασία Greek:; c. 470 – after 428 BC [a]) was a metic woman in Classical Athens. Born in Miletus, she moved to Athens and began a relationship with the statesman Pericles, with whom she had a son named Pericles the Younger.