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Jive at Five is an album by trumpeter Joe Newman featuring tracks recorded with members of the Count Basie Orchestra in 1960 and originally released on the Swingville label. [ 1 ] [ 2 ] Reception
"Jive at Five" (Count Basie, Harry "Sweets" Edison) – 5:30 "One O'Clock Jump" (Basie) – 3:53 "(We Ain't Got) No Special Thing" (Basie, Milt Jackson, Joe Pass) – 5:33 "Memories of You" (Eubie Blake, Andy Razaf) – 3:49 "Frog's Blues" (Basie, Jackson, Pass) – 4:55 "Rabbit" (Basie, Jackson, Pass) – 3:46
AllMusic reviewer Scott Yanow stated "Jo Jones is probably best known for his work with Count Basie, but his small-group dates as a leader, though overlooked, are also very rewarding. ... The trio is effortlessly swinging ... this 1959 LP treats the musicians with the respect they deserve". [ 3 ]
In 1941, he joined Lionel Hampton for two years, [1] before signing with Count Basie, with whom he stayed for a total of thirteen years, interrupted by short breaks and a long period (1947–1952) spent first with saxophonist Illinois Jacquet and then drummer J. C. Heard. During his second period with Basie, which lasted for about nine years ...
This is the first Count Basie collection to acquire and should be in every jazz collection". [ 2 ] The Penguin Guide to Jazz identified this set as part of their suggested "Core Collection" of essential jazz albums and awarded the compilation a "Crown" signifying a recording that the authors "feel a special admiration or affection for".
"Jumpin' at the Woodside" (Count Basie) – 5:42 "Blues for Basie" (Oscar Peterson) – 3:34 "Broadway" (Billy Bird, Teddy McRae, Henri Woode) – 4:31 "Blue and Sentimental" (Basie, Mack David, Jerry Livingston) – 2:29 "Topsy" (Edgar Battle, Eddie Durham) – 4:22 "One O'Clock Jump" (Basie) – 5:49 "Jive at Five" (Basie, Harry "Sweets ...
In a large bowl using an electric mixer, cream the sugar and butter until the mixture is fluffy and lighter in color, about 5 minutes. Add the eggs, one at a time, beating to blend after each ...
Jones taught music in South Carolina from 1951 to 1952, and became a member of Count Basie's orchestra in 1953, remaining there until 1962. He recorded frequently with this ensemble, and also played with Basie in smaller ensembles; these featured both Basie sidemen ( Joe Newman , Frank Foster , Frank Wess , Thad Jones , Ernie Wilkins ) and ...