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The Mad Libs books were conceived around the same time as Strachey wrote the love letter generator. [3] It was also preceded by John Clark's Latin Verse Machine (1830-1843), the first automated text generator.
A writer learning the craft of poetry might use the tools of poetry analysis to expand and strengthen their own mastery. [4] A reader might use the tools and techniques of poetry analysis in order to discern all that the work has to offer, and thereby gain a fuller, more rewarding appreciation of the poem. [5]
Sri Aurobindo would reject any kind of free verse without underlying and unifying rhythm. He further explains that Savitri adopts, with some adaptations, the iambic five-foot line of English blank verse as the most apt and plastic medium for this specific type of inspiration. He adds that independent text blocks with a kind of self-sufficient ...
For other uses, see Bard (disambiguation). Title-page of The Bard illustrated by William Blake, c. 1798 The Bard. A Pindaric Ode (1757) is a poem by Thomas Gray, set at the time of Edward I's conquest of Wales. Inspired partly by his researches into medieval history and literature, partly by his discovery of Welsh harp music, it was itself a potent influence on future generations of poets and ...
When Collins first published the paradelle, it was with the footnote "The paradelle is one of the more demanding French fixed forms, first appearing in the langue d'oc love poetry of the eleventh century. It is a poem of four six-line stanzas in which the first and second lines, as well as the third and fourth lines of the first three stanzas ...
Between Silk and Cyanide by Leo Marks, HarperCollins (1998), ISBN 0-00-255944-7.Marks was the Head of Codes at SOE and this book is an account of his struggle to introduce better encryption for use by field agents. it contains more than 20 previously unpublished code poems by Marks, as well as descriptions of how they were used and by whom.
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The poem is one of Li's shi poems, structured as a single quatrain in five-character regulated verse with a simple AABA rhyme scheme (at least in its original Middle Chinese dialect as well as the majority of contemporary Chinese dialects). It is short and direct in accordance with the guidelines for shi poetry, and cannot be conceived as ...