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According to Stephen Skinner, the study of sacred geometry has its roots in the study of nature, and the mathematical principles at work therein. [5] Many forms observed in nature can be related to geometry; for example, the chambered nautilus grows at a constant rate and so its shell forms a logarithmic spiral to accommodate that growth without changing shape.
The Sri Yantra in diagrammatic form, showing how its nine interlocking triangles form a total of 43 smaller triangles. In the Shri Vidya school of Hindu tantra, the Sri Yantra ("sacred instrument"), also Sri Chakra is a diagram formed by nine interlocking triangles that surround and radiate out from the central point.
Articles relating to sacred geometry, which ascribes symbolic and sacred meanings to certain geometric shapes and certain geometric proportions. Pages in category "Sacred geometry" The following 26 pages are in this category, out of 26 total.
Mandala of Vishnu. In Hinduism, a basic mandala, also called a yantra, takes the form of a square with four gates containing a circle with a center point.Each gate is in the general shape of a T. [3] Mandalas often have radial balance.
The tree of life is represented in several examples of sacred geometry and is central in particular to the Kabbalah, where it is represented as a diagram of ten nodes called sefirot (singular sefirah), or the ten emanations or attributes of God. It portrays how God, the Creator, demonstrates his creative energy throughout the universe, via ...
It is possible, as proposed by Gupta, that the geometry was developed to meet the needs of ritual. [13] Some scholars go farther: Staal hypothesizes a common ritual origin for Indian and Greek geometry, citing similar interest and approach to doubling and other geometric transformation problems. [14]
From Nicole Kidman’s erotic thriller “Babygirl,” to a book of sexual fantasies edited by Gillian Anderson, this was the year the female sex drive took the wheel in popular culture.
In woodwork, especially in the Safavid period, it could be applied either as lattice frames, left plain or inset with panels such as of coloured glass; or as mosaic panels used to decorate walls and ceilings, whether sacred or secular. In architecture, girih forms decorative interlaced strapwork surfaces from the 15th century to the 20th century.