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A Corpus of Rembrandt Paintings V (The Small-Scale History Paintings). van de Wetering, Ernst (Ed.). Springer. 2010. ISBN 978-1-4020-4607-0. A Corpus of Rembrandt Paintings VI: Rembrandt’s Paintings Revisited – A Complete Survey. Ernst van de Wetering. Springer. 2014. ISBN 978-9-4017-9173-1.
The drawing is related to the painting W110 : Sketch of a Bearded Old Man and Three Studies of Headgear: c. 1633-1634?? Chatsworth House: The drawing is related to the painting W110 : Portrait of a Man in an Armchair, Seen Through a Frame: 1634: Black and red chalk, pen and wash in bistre, on vellum: 37.3 x 27.2 cm: Private collection, New York
Portrait of a Man Rising from His Chair is a painting by the Dutch painter Rembrandt, painted in 1633. [1] It hangs in the Taft Museum of Art of Cincinnati, Ohio, United States. The oil-on-canvas portrait measures 124 by 99 centimetres (49 in × 39 in). [2] It is signed and dated 1633, and there is no doubt of its authenticity.
The Sacrifice of Isaac (Rembrandt) The Sacrifice of Isaac (Studio of Rembrandt) Saint Bartholomew (Rembrandt) Saint Matthew and the Angel (Rembrandt) Samson and Delilah (Rembrandt) Samson Threatening His Father-In-Law; Saul and David (painting) The Senses (Rembrandt) Simeon in the Temple; Slaughtered Ox; Still Life with Peacocks; The Stone Bridge
Rembrandt Harmenszoon van Rijn (/ ˈ r ɛ m b r æ n t, ˈ r ɛ m b r ɑː n t /; [2] Dutch: [ˈrɛmbrɑnt ˈɦɑrmə(n)ˌsoːɱ vɑn ˈrɛin] ⓘ; 15 July 1606 [1] – 4 October 1669), usually simply known as Rembrandt, was a Dutch Golden Age painter, printmaker, and draughtsman.
The Prodigal Son in the Brothel or The Prodigal Son in the Tavern or Rembrandt and Saskia in the parable of the prodigal son (German: Rembrandt und Saskia im Gleichnis vom verlorenen Sohn) [1] is a painting by the Dutch master Rembrandt. It is now in the Gemäldegalerie Alte Meister of Dresden, Germany. It is signed "REMBRANDT F.".
Rembrandt's self-portraits were created by the artist looking at himself in a mirror, [16] and the paintings and drawings therefore reverse his actual features. In the etchings the printing process creates a reversed image, and the prints therefore show Rembrandt in the same orientation as he appeared to contemporaries. [17]
Rembrandt's teachers in Leiden were Jacob van Swanenburgh [note 1] (from 1621 to 1623, [5] with whom he learned pen drawing [6]) and Joris van Schooten. [note 2] [7]However, his six-month stay in Amsterdam in 1624, with Pieter Lastman and Jan Pynasc, was decisive in his training: Rembrandt learned pencil drawing, the principles of composition, and working from nature. [6]