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Rug hooking is both an art and a craft where rugs are made by pulling loops of yarn or fabric through a stiff woven base such as burlap, linen, or rug warp. The loops are pulled through the backing material by using a crochet -type hook mounted in a handle (usually wood) for leverage.
Pearl McGown learned rug-hooking as a child. [1] Hooked rugs are made by pulling loops of yarn or thin strips of fabric through a base material with an open weave, typically burlap or linen. [2] [3] [4] In North America, rug-hooking has been a widespread handicraft since the early 19th century, possibly brought over by English textile workers. [5]
Nancy Edell (November 12, 1942 – June 9, 2005) was an American-born Canadian artist, best known for her rug hooking practice that challenged the boundaries between art and craft. Her practice included animated film , woodcut , monotypes and drawing which often expressed surrealist themes.
Lillian Burke, standing left, with short bob haircut, shown with 648 sq. ft. hooked Savonnerie rug, reputed to be the largest ever created. Lillian Burke (October 4, 1879 – April 13, 1952) was an American artist, teacher, musician and occupational therapist chiefly known for developing a hooked-rug cottage industry in the village of Chéticamp, Cape Breton.
A typical new-style Crystal rug will alternate groups of two or three wavy or solid lines with broader bands decorated with patterns representing squash blossoms or geometrical motifs. The newer rugs are woven in muted colors such as rust, rich brown and grey, but may include pastel colors.
A Turkish kilim is a flat-woven rug from Anatolia. Although the name kilim is sometimes used loosely in the West to include all type of rug such as cicim, palaz, soumak and zili, in fact any type other than pile carpets , the name kilim properly denotes a specific weaving technique.
The fur of the arctic fox (Vulpes lagopus) is currently the most popular of all the farmed fox species, particularly the blue fox (white with grey tips) and the shadow blue fox (all white). [21] The overwhelming popularity of this fox has to do with the size of the production of arctic fox pelts and the dyeable nature of the color lead it to ...
History of the Navajo Rug, by Navajo Rug Repair Co. Towards an Understanding of Navajo Aesthetics, Kathy M’Closkey Archived 2013-04-05 at the Wayback Machine; Navajo Weaving at the Arizona State Museum: 19th Century Blankets, 20th Century Rugs, 21st Century Views – an illustrated history, with comments from Navajo weavers and museum curators