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Evolution is the fourth studio album by Australian rock band Noiseworks. It was the band's first since 1991's Love Versus Money . Released on 11 November 2022, Evolution debuted at number 25 on the ARIA Albums Chart .
Noiseworks sold more than 210,000 copies in Australia. [3] On 11 November 1988, their second album Touch was released and debuted at No. 5 on the ARIA Albums Chart. [6] The album was produced by Chris Kimsey (The Rolling Stones, Killing Joke, Marillion) and Noiseworks, and engineered by Al Wright (Hoodoo Gurus, Jimmy Barnes, Divinyls). [5]
It should only contain pages that are Noiseworks albums or lists of Noiseworks albums, as well as subcategories containing those things (themselves set categories). Topics about Noiseworks albums in general should be placed in relevant topic categories .
Jon Stevens (born 8 October 1961) [1] is a New Zealand singer, best known as the lead singer of the band Noiseworks in 1986–1992, the portrayal of Judas in a 1992 Australian production of Jesus Christ Superstar, and as the lead singer for the Australian rock band INXS in 2000–2003 after the death of the band's original lead singer Michael Hutchence.
Stephen Vert Balbi (born 3 October 1964) is an Australian musician and record producer. He was the founding bass guitarist in pub rockers, Noiseworks in 1986 and formed a psychedelic pop group and production duo, Electric Hippies in 1993 with fellow Noiseworks member, Justin Stanley.
"R.I.P. (Millie)" is a song by Australian rock-pop band Noiseworks. It was released in September 1991 as the fourth single from their third studio album Love Versus Money (1991) and peaked at number 26 on the ARIA singles chart. The song is dedicated to Jon Stevens' mother who died of cancer. Stevens later reflected saying, "Over the years I've ...
"Welcome to the World" is a song by Australian rock-pop band Noiseworks. It was released in November 1987 as the fourth single from their first studio album Noiseworks (1987) and peaked at number 41 on the Australian singles chart in January 1988. It was also released as a CD single, which was rather unique for an Australian band at the time.
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