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Ciaran O'Driscoll (born 1943) - Irish surrealist poet; John Olson (born 1947) - American Surrealist poet and novelist; Valentine Penrose (1898–1978) - French surrealist poet, author, and collagist; Benjamin Péret (1899–1959) - French poet and a founder of the French Surrealist movement; Gisèle Prassinos (1920–2015) - French writer
The following poets were active in the Surrealist cultural movement that started in the 1920s. Pages in category "Surrealist poets" The following 87 pages are in this category, out of 87 total.
She first encountered surrealism in Cairo, but moved to Paris in 1953. Olga Orozco (1920–1999), Argentine poet of the surrealistic 'Tercera Vanguardia' generation. Alejandra Pizarnik (1936–1972), Argentine poet heavily influenced by surrealism. [11] Valentine Penrose (1898–1978), French surrealist poet, author and collagist.
His writings include the first Surrealist Manifesto (Manifeste du surréalisme) of 1924, in which he defined surrealism as "pure psychic automatism". [2] Along with his role as leader of the surrealist movement he is the author of celebrated books such as Nadja and L'Amour fou. Those activities, combined with his critical and theoretical work ...
Surrealist poets (88 P) Pages in category "Surrealist writers" The following 40 pages are in this category, out of 40 total. This list may not reflect recent changes. A.
Max Ernst, The Elephant Celebes, 1921. The word surrealism was first coined in March 1917 by Guillaume Apollinaire. [10] He wrote in a letter to Paul Dermée: "All things considered, I think in fact it is better to adopt surrealism than supernaturalism, which I first used" [Tout bien examiné, je crois en effet qu'il vaut mieux adopter surréalisme que surnaturalisme que j'avais d'abord employé].
According to the Social Security Administration, the most popular baby names of the 1920s were “taken from a universe that includes 11,372,808 male births and 12,402,235 female births.”
André Breton included two photographs of Desnos sleeping in his surrealist novel Nadja. [2] Although he was praised by Breton in his 1924 Manifeste du Surréalisme for being the movement's "prophet", Desnos disagreed with Surrealism's involvement in communist politics, which caused a rift between him and Breton. Desnos continued work as a ...