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"Careful with That Axe, Eugene" is an instrumental piece by the English rock band Pink Floyd. [3] It was recorded in November 1968 and released as the B-side to the single "Point Me at the Sky", and featured on the 1971 compilation album Relics.
"Cirrus Minor" has an unusual chord sequence: E minor, E flat augmented, G major, C♯ minor 7, C major 7, C minor 7 and B 7. The chords are built around the chromatically descending bass line. The B 7, C major 7 and G major chords are the only chords which fit into the functional context of the E minor key.
The main section of "Don't Leave Me Now", recorded with synthesizer bass, organ, piano, and a delay-treated guitar, does not adhere to one single key, but rather cycles slowly through four dissonant and seemingly-unrelated chords, for two measures of each: An E augmented chord, followed by a D flat major seventh chord, a B flat dominant seventh chord with a suspended second, followed by a G ...
The main theme features what were, for Pink Floyd, rather unusual chords. In the final version's key of D minor, the chords are D minor ninth, E♭maj7 sus2 /B♭, Asus2sus4, and A♭sus2. All these chords contain the tonic of the song, D—even as a tritone, as is the case in the fourth chord. [4] [5] [6]
Both the E major and E minor chords feature the ninth, making this song one of many Pink Floyd songs to feature a prominent E minor added ninth chord, "Em(add9)". Throughout most of the song, the bass line remains on E as a pedal point, creating a drone. In the instrumental interlude, however, the chords change completely to A minor and B minor ...
"Paint Box" (or, "Paintbox" on later reissues) is a song by the English rock band Pink Floyd, written and sung by keyboardist Richard Wright. [4] [5] It was first released in 1967 as the B-side to the single "Apples and Oranges".
"The Great Gig in the Sky" is the fifth track [nb 1] on The Dark Side of the Moon, a 1973 album by English rock band Pink Floyd. The song features music by keyboard player Richard Wright and improvised, wordless vocals by session singer Clare Torry. It is one of only three Pink Floyd songs to feature lead vocals from an outside artist.
The song was re-recorded for the 1981 Pink Floyd album, A Collection of Great Dance Songs, because Capitol Records refused to licence the track to Columbia Records in the United States. [26] With the help of co-producer James Guthrie , David Gilmour re-recorded the song, providing the vocals and playing all the instruments except saxophone ...