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Lord Macbeth, the Thane of Glamis and quickly the Thane of Cawdor, is the title character and main protagonist in William Shakespeare's Macbeth (c. 1603–1607). The character is loosely based on the historical king Macbeth of Scotland and is derived largely from the account in Holinshed's Chronicles (1577), a compilation of British history.
Download as PDF; Printable version; In other projects Wikidata item; ... Pages in category "Characters in Macbeth" The following 14 pages are in this category, out of ...
Macbeth is the central character in Macbeth. Influenced by the prophecies of three witches, he murders Duncan to take his place as king of Scotland. Lady Macbeth , wife to Macbeth, is a central character who conspires with her husband to murder Duncan. She later goes mad and dies, possibly through suicide.
Lord Macduff, the Thane of Fife, is a character and the heroic main protagonist in William Shakespeare's Macbeth (c.1603–1607) that is loosely based on history. Macduff, a legendary hero, plays a pivotal role in the play: he suspects Macbeth of regicide and eventually kills Macbeth in the final act.
Donaldbain is a character in William Shakespeare's Macbeth (c. 1603–1607). He is the younger son of King Duncan and brother to Malcolm, the heir to the throne. Donaldbain flees to Ireland after the murder of his father for refuge. [1] He is ultimately based on the historical King Donald III of Scotland.
Lady Macduff is a character in William Shakespeare's Macbeth. She is married to Lord Macduff, the Thane of Fife. Her appearance in the play is brief: she and her son are introduced in Act IV Scene II, a climactic scene that ends with both of them being murdered on Macbeth's orders. Though Lady Macduff's appearance is limited to this scene, her ...
In it, Hecate, a non-dancing character, mimes instructions to the witches before a final dance and Macbeth's arrival. [ 26 ] In Henry Purcell 's opera Dido and Aeneas with libretto by Nahum Tate , the Sorceress addresses the two Enchantresses as "Wayward Sisters," identifying the three of them with the fates, as well as with the malevolent ...
Macbeth was a favourite of the seventeenth-century diarist Samuel Pepys, who saw the play on 5 November 1664 ("admirably acted"), 28 December 1666 ("most excellently acted"), ten days later on 7 January 1667 ("though I saw it lately, yet [it] appears a most excellent play in all respects"), on 19 April 1667 ("one of the best plays for a stage ...