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Sunshine pop (originally known as soft pop) is a subgenre of pop music that originated in Southern California in the mid-1960s. Rooted in easy listening and advertising jingles, sunshine pop acts combined nostalgic or anxious moods with "an appreciation for the beauty of the world". [1]
This is a list of artists whose body of work has been described as sunshine pop (also called "soft pop"). 0-9. The 5th ...
Spanky and Our Gang was an American 1960s sunshine pop band led by Elaine "Spanky" McFarlane.The band derives its name from Hal Roach's Our Gang comedies of the 1930s (known to modern audiences as The Little Rascals), because of the similarity of McFarlane's surname with that of George McFarland (Spanky).
The Sunshine Company was an American sunshine pop band from Los Angeles, California.Originally the duo of Mary Nance (November 7, 1947 – November 24, 2019) [2] and Maury Manseau, [3] the group later added the rhythm section of bassist Larry Sims and drummer Merel Bregante and signed to Imperial Records, releasing their debut album in 1967. [4]
The Association is an American sunshine pop band from Los Angeles, California. During the late 1960s, the band had numerous hits at or near the top of the Billboard charts (including "Windy", "Cherish", "Never My Love" and "Along Comes Mary") and were the lead-off band at 1967's Monterey Pop Festival. Generally consisting of six to eight ...
The Clique was a late-1960s American sunshine pop band from Austin, Texas. [1] They started as the Roustabouts in the Beaumont, Texas area, 90 miles east of Houston, and later the Sandpipers before renaming themselves the Clique in 1967 and settling in Houston. Original members of the band were John Kanesaw (drums), Bruce Tinch (bass guitar ...
Sunshine pop [1] Years active: 1967–1970: Labels: Yorkville, Capitol, Epic: Past members: Peter Mann Laurie Hood Victor Garber Lee Harris: The Sugar Shoppe was a ...
The Free Design was a Delevan, New York–based vocal group, whose music can be described as sunshine pop and baroque pop.Though they did not achieve much commercial recognition during their main recording career, their work later influenced bands including Stereolab, Cornelius, Pizzicato Five, Beck and The High Llamas.