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The Decay of Lying – An Observation" is an essay by Oscar Wilde, included in his collection of essays titled Intentions, published in 1891. This version of the essay is significantly revised from the article that first appeared in the January 1889 issue of The Nineteenth Century .
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The Hollywood Reporter described (Dis)Honesty: The Truth About Lies as a "deep-think doc animated by the researcher at its center". [5] The New York Times criticized the lack of exploration of the loss of trust in the wider society. [6] The film has an 89% rating, with an average score of 7.02/10 based on 18 reviews, on Rotten Tomatoes. [7]
We knew that the story of disgraced Grey’s Anatomy writer Elisabeth R. Finch was bad. But we had no idea just how horrible it really was until we screened Peacock’s three-episode Anatomy of ...
The film was shot in London and Kyiv. [2] [citation needed] Post-production finished in December 2019, though due to the COVID-19 pandemic, Legacy of Lies could not be premiered in theatres. The movie was held back from release until February 2021, when the rights were sold to Netflix UK. The film reached number four in the charts and stayed ...
Forbidden Lie$ is an Australian documentary released in September 2007. It was directed by Anna Broinowski . It documents an investigation into the 2003 novel Forbidden Love (United States title: Honor Lost: Love and Death in Modern Day Jordan ) written by Norma Khouri .
Docufiction (or docu-fiction) is the cinematographic combination of documentary and fiction, this term often meaning narrative film. It is a film genre [ 1 ] which attempts to capture reality such as it is (as direct cinema or cinéma vérité ) and which simultaneously introduces unreal elements or fictional situations in narrative in order to ...
Propaganda: The Art of Selling Lies is a 2019 Canadian documentary film, directed by Larry Weinstein. [1] The film examines the nature and history of propaganda, particularly the use of visual art to promote both positive and negative social messaging. [2] The film premiered at the 2019 Hot Docs Canadian International Documentary Festival. [3]