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In a South Indian version of Shiva Purana, Hanuman is described as the son of Shiva and Mohini (the female avatar of Vishnu), or alternatively he has been linked to or merged with the origin of Swami Ayyappa who is popular in parts of South India. [15] In the Muktikā Upanishad Hanuman is in dialogue with Rama about the subject of moksha. [74]
The deity Hanuman is sometimes featured with five-faces in his iconography, known as Panchamukhi Hanuman, or Panchamukha Anjaneya. [3] Each head is that of a deity associated with Vishnu , and is depicted to be facing a cardinal direction: Hanuman faces the east, Narasimha faces the south, Varaha faces the north, Garuda faces the west, and ...
The name Ardhanarishvara means "the Lord Who is half woman." Ardhanarishvara is also known by other names like Ardhanaranari ("the half man-woman"), Ardhanarisha ("the Lord who is half woman"), Ardhanarinateshvara ("the Lord of Dance (Who is half-woman), [1] [2] Parangada, [3] Naranari ("man-woman"), Ammaiyappan (a Tamil Name meaning "Mother-Father"), [4] and Ardhayuvatishvara (in Assam, "the ...
He is conceptualized as a kind spiritual teacher, the first of all Gurus in Indonesian Hindu texts, mirroring the Dakshinamurti aspect of Shiva in the Indian subcontinent. [364] However, the Batara Guru has more aspects than the Indian Shiva, as the Indonesian Hindus blended their spirits and heroes with him.
Drona performed many years of severe penance to please Shiva to obtain a son who possessed the same valour as the deity. He is regarded to be an avatar of one of the eleven Rudras. He was cursed to be immortal by Krishna for the attempted murder of Parikshit, suffering from incurable painful sores and ulcers. [6] Mahabali
The avatars of Devi or Parvati include Durga and Kali, who are particularly revered in the eastern states of India, as well as Tantra traditions. [159] [160] [161] Twenty-one avatars of Shiva are also described in Shaivism texts, but unlike Vaishnava traditions, Shaiva traditions focus directly on Shiva rather than the avatar concept. [151]
Uma–Maheshvara, central India, probably late 1000s to 1100s AD, buff sandstone, Dallas Museum of Art. Uma–Maheshvara (Sanskrit: उमामहेश्वर, romanized: Umāmaheśvara) is a form of the divine couple, Shiva (Maheshvara) and Parvati (Uma), in Hindu iconography.
The term svayambhu is also used to describe the belief of a self-manifested image (murti) of a deity present in a temple, which is described to be not of human creation, but of natural or divine origin. Such images are described in some of the regional legends of religious sites called the sthala puranas. [6]