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Catholics use images, such as the crucifix, the cross, in religious life and pray using depictions of saints. They also venerate images and liturgical objects by kissing, bowing, and making the sign of the cross. They point to the Old Testament patterns of worship followed by the Hebrew people as examples of how certain places and things used ...
Literary mentions of Christian images greatly increase, in the accounts of pilgrims to the Holy Land, in works of history, and in popular accounts of the lives of saints; at the same time some of these begin to mention acts of iconoclasm against images. The legendary nature of much of the last two types of material is clear, but the stories ...
Calvinists remained steadfastly opposed to art in churches, and suspicious of small printed images of religious subjects, though generally fully accepting secular images in their homes. In turn, the Catholic Counter-Reformation both reacted against and responded to Protestant criticisms of art in Roman Catholicism to produce a more stringent ...
From the middle of the 4th century, after Christianity was legalized by the Edict of Milan in 313, and gained Imperial favour, there was a new range of images of Christ the King, [47] using either of the two physical types described above, but adopting the costume and often the poses of Imperial iconography.
Other terms often used for art of various religions are cult image, usually for the main image in a place of worship, icon in its more general sense (not restricted to Eastern Orthodox images), and "devotional image" usually meaning a smaller image for private prayer or worship. Images can often be divided into "iconic images", just showing one ...
Showing Christ "hovering" above the tomb was an Italian innovation of the Trecento, and remained mostly found in Italian art until the late 15th century. One of the claimants to be the earliest surviving works to show this iconography is the well-known fresco by Andrea da Firenze in the Spanish Chapel of the Basilica of Santa Maria Novella in ...
In this Elizabethan work of propaganda, the top right of the picture depicts men pulling down and destroying religious images, as power shifts from the dying King Henry VIII at left to his more staunchly Protestant son, the boy-king Edward VI, at centre. [1] [2] [3] The Putting away of Books and Images Act 1549 (3 & 4 Edw. 6. c.
Anti-christianity sentiment, also referred to as Christophobia or Christianophobia, is the fear, hatred, discrimination, or prejudice against Christians and aspects of the Christian religion's practices. According to the Council of European Episcopal Conferences, these terms encompass "every form of discrimination and intolerance against ...