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Mikrokosmos, Volume V, No.136 "Whole-Tone Scales" Alban Berg. Violin Concerto [7] "Nacht" from Seven Early Songs [8] Hector Berlioz. Francs-Juges Overture [9] Ferruccio Busoni. An die Jugend for piano, the right hand part of the "Preludietto, Fughetta ed Esercizio" is based on the whole tone scale. [10] Frédéric Chopin
(0,5/2,3,4,5,7) 6 — — — Whole tone scale: Whole tone scale on C. Play ...
The composer Olivier Messiaen called the whole-tone scale his first mode of limited transposition. The composer and music theorist George Perle calls the whole-tone scale interval cycle 2, or C2. Since there are only two possible whole-tone-scale positions (that is, the whole-tone scale can be transposed only once), it is either C2 0 or C2 1.
The major tone may be derived from the harmonic series as the interval between the eighth and ninth harmonics. The minor tone may be derived from the harmonic series as the interval between the ninth and tenth harmonics. The 10:9 minor tone arises in the C major scale between D & E and G & A, and is "a sharper dissonance" than 9:8.
Piano line in the intro is octatonic, bass synth adds a ninth tone. Adi Morag "Octabones" (1999) Orbital; Oolaa from the Green Album. Suraj Synthesist Khayaal , a lil fantasy [16] [17] Gilad Hochman; Closer for two alto saxophones (2022) Polarizations for solo viola (2023) Dream Theater; The Dark eternal night [18]
Aliquot stringing is the use of extra, un-struck strings in a piano for the purpose of enriching the tone. Aliquot systems use an additional (hence fourth) string in each note of the top three piano octaves. This string is positioned slightly above the other three strings so that it is not struck by the hammer.
For the generic interval of a second rather than only two specific intervals, the scale contains three: 1, 2, and 3 (augmented second) semitones. In scale (music) theory, a maximally even set (scale) is one in which every generic interval has either one or two consecutive integers specific intervals -in other words a scale whose notes (pcs) are ...
Arthur von Oettingen's 1914 Omnitonophonium harmonium has keys similar to Bosanquet's, but which aren't undercut (like Jankó's 1883 patent for his 12-tone keyboard). Arthur Fickénscher patented a keyboard in 1941 with rectangular keys overlapping in 12 staggered diagonal rows each representing the same named tones.