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The Moonstone: A Romance by Wilkie Collins is an 1868 British epistolary novel. It is an early example of the modern detective novel , and established many of the ground rules of the modern genre. Its publication was started on 4 January 1868 and was completed on 8 August 1868.
William Wilkie Collins (8 January 1824 – 23 September 1889) was an English novelist and playwright known especially for The Woman in White (1860), a mystery novel and early sensation novel, and for The Moonstone (1868), which established many of the ground rules of the modern detective novel and is also perhaps the earliest clear example of the police procedural genre.
Here, as in his more famous novels The Moonstone and The Woman in White, Collins uses the "least likely person" motif, a popular element in many modern-day detective novels. [3] Meanwhile, 20th century noir novels are hardly complete without the introduction of a femme fatale bursting through the detective's door screaming for help or an ...
Wilkie Collins was also inspired by Detective Inspector Jack Whicher in creating Cuff, particularly his investigation of the 1860 murder of Francis Saville Kent. Several plot details from The Moonstone derive from the Road Hill Case, including the missing nightdress stained with paint and the incriminating laundry book.
The Moonstone is a 1934 American mystery film directed by Reginald Barker and starring David Manners, Phyllis Barry, Gustav von Seyffertitz and Jameson Thomas. It is an adaptation of the 1868 novel The Moonstone by Wilkie Collins .
Sergeant Cuff kann den Mondstein nicht finden (The Moonstone, Germany 1955) Suspense: The Moonstone (US 1954) Tales Of Adventure: The Moonstone (US 1952, 5 episodes) Robert Montgomery Presents: The Moonstone (US 1952) The Woman in White (US 1948) Crimes at the Dark House (based on The Woman in White, US 1940) The Moonstone (1934) The Woman in ...
Godfrey Ablewhite is a character in Wilkie Collins' 1868 novel The Moonstone. [1] A vocal philanthropist, he is one of the rival suitors of Rachel Verinder, to whom he is briefly engaged before his mercenary motives are revealed.
The novel, the next in sequence after Collins's highly successful The Moonstone, was a commercial success. Among modern critics, Peters [1] holds a low opinion of its plot and characterisation, but Page [2] argues that it should be classed with Collins's acclaimed 1860s fiction rather than with his later, and inferior, polemical novels. The ...