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Written by Leiber, Stoller, and Billy Edd Wheeler #9 US country "On Broadway" The Drifters 9 7 - Written by Leiber, Stoller, Barry Mann and Cynthia Weil 1978: George Benson, #7 US pop, #2 R&B "The Reverend Mr. Black" The Kingston Trio: 8 15 - Written by Leiber, Stoller, and Billy Edd Wheeler 1982: Johnny Cash, #71 US country "Rat Race" The ...
Lieber and Stoller would afterwards write some songs for Presley as well. [6] Leiber and Stoller's later songs often had lyrics more appropriate for pop music, and their combination of rhythm and blues with pop lyrics revolutionized pop, rock and roll, and punk rock. They formed Spark Records in 1954 with their mentor, Lester Sill. [3]
Smokey Joe's Cafe is a musical revue showcasing 39 pop standards, including rock and roll and rhythm and blues songs written by songwriters Jerry Leiber and Mike Stoller.The Original Broadway cast recording, Smokey Joe's Cafe: The Songs of Leiber and Stoller, won a Grammy Award in 1997.
Pages in category "Songs written by Jerry Leiber and Mike Stoller" The following 63 pages are in this category, out of 63 total. This list may not reflect recent changes .
The song was written by Jerry Leiber and Mike Stoller, [8] originally for rock and roll vocal group The Coasters. [10] The band recorded it in the same recording session as "Little Egypt", another song Elvis would later release. [11] [12] Neither songs did much for the band's popularity, [12] only reaching number 96 on the Billboard Hot 100. [10]
Framed is a song written by Jerry Leiber and Mike Stoller. It was originally recorded by The Robins in August 1954, in Los Angeles and released on Leiber and Stoller's label Spark Records in October of that year as the B side of Loop De Loop Mambo. Jerry Leiber talks about the song, saying, "Another rap took the form of a police drama.
"Riot in Cell Block #9" is a R&B song composed by Jerry Leiber and Mike Stoller in 1954. The song was first recorded by The Robins the same year. [1] That recording was one of the first R&B hits to use sound effects and employed a Muddy Waters stop-time riff as the instrumental backing.
Leiber and Stoller considered giving the song to Kurt Weill's widow Lotte Lenya or German kabarett singer Claire Waldoff (who, apparently unbeknownst to them, was deceased), but decided that Marlene Dietrich was the only such name that American record companies would consider well-known enough. However, after a meeting with Leiber and Stoller ...