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Music by Antonio Vivaldi published in 1725; Recording copyright John Harrison (JohnHarrisonViolin.com) This work is free and may be used by anyone for any purpose. If you wish to use this content , you do not need to request permission as long as you follow any licensing requirements mentioned on this page.
Instead, Vivaldi set the words of the "" Gloria Patri" to slow mournful music, using "the unusual colouring of a viola d'amore, an instrument on which the composer excelled." [ 5 ] Michael Talbot writes that Vivaldi's musical setting of the " Gloria Patri " turns this part of the doxology into "a journey through a vale of tears: praise of the ...
New Christian Hymn and Tune, Fillmore Brothers (1882) Gloria in Excelsis, William E.M. Hackleman (1905) Hymni Ecclesiae, William E.M. Hackleman (1911) Great Songs of the Church (later, revised and supplemented by ACU Press), E.L. Jorgenson (1921) Choice Gospel Hymns, Charles Mitchell Pullias (1923) Christian Hymns, L.O. Sanderson (1935)
Sheet music, primarily vocal music of American imprint, dating from the 18th century to the present, with most titles in the period 1840–1950. John Hay Library at Brown University: ART SONG CENTRAL: downloadable, IPA transcriptions, vocal: 1,000 Printable sheet music primarily for singers and voice teachers—most downloadable.
This is a list of original Roman Catholic hymns. The list does not contain hymns originating from other Christian traditions despite occasional usage in Roman Catholic churches. The list has hymns in Latin and English.
As with other choral pieces the composer, Vivaldi, wrote many introduzioni (introductory motets) that were to be performed before the Gloria itself. Four introduzioni exist for these Glorias: Cur Sagittas (RV 637), Jubilate, o amoeni cori (RV 639) (the last movement of which is compositionally tied with the first movement of RV 588), Longe Mala, Umbrae, Terrores (RV 640), and Ostro Picta (RV 642).
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Matthew 2:1–6, i.e. part of the Gospel reading for the Epiphany feast; Matthew 2:7–12, i.e. second half of the Gospel reading for Epiphany; The Gospel readings for the Third Day of Christmas (Prologue of the Gospel of John), and for the Sunday after New Year (the Flight to Egypt) are not directly used in the Christmas Oratorio. In detail: