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In 1934, the Gazette absorbed the South Side Sentinel of Marion, Nebraska. In 1936, it acquired the triweekly McCook Tribune, at which Strunk had worked on his arrival in McCook. Later, in 1957, it absorbed the Red Willow County Reporter. [12] [13] A Newsboy in 2011. On the eve of World War II, the Gazette acquired one of the last ...
McCook Daily Gazette – McCook; Norfolk Daily News – Norfolk; ... Nebraska Advertiser – Brownville (1856–1899) [15] The Nebraska Advertiser – Nemaha City ...
The McCook Daily Gazette is the city's newspaper, published five days a week. [1] Radio ... McCook, Nebraska Translator station of KUON, Lincoln, Nebraska [12] 44.2
The McCook Daily Gazette is the city's newspaper, published five days a week. [30] In 1929, the newspaper became one of the first in the world to be delivered regularly by air: for several months its airplane, named the Newsboy, flew a daily route, dropping bundles of newspapers to carriers in outlying towns.
Julius Drum (March 18, 1958– September 17, 2007), also known as Julius L. Corder, was a Native American actor.. Born in Winnebago, Nebraska, Drum was adopted at the age of five by John and Dorothy Corder of McCook, Nebraska.
The McCook Tribune (1885–1912) [313] McCook weekly tribune (1883–1885) [314] Nebraska Advertiser – Brownville (1856–1899) [315] The Nebraska Advertiser – Nemaha City (1899–1908) [citation needed] Nebraska Palladium – St. Mary, Iowa (1854–1855) [316] Nebraska State Journal; The Norfolk Weekly News-Journal – Norfolk (1900–1912 ...
The Harvey P. Sutton House, also known as the H.P. Sutton House, is a six-bedroom, 4,000-square-foot (370 m 2) Frank Lloyd Wright designed Prairie School home at 602 Norris Avenue in McCook, Nebraska. Although the house is known by her husband's name, Eliza Sutton was the driving force behind the commissioning of Wright for the design in 1905 ...
Larson was born in Westwood, Los Angeles, California, the son of Viola (née Baum) and Earl Larson. [1] [2] He was raised in McCook, Nebraska.[1]Larson plays guitar; he has claimed his early experiences as a musician led to his concerns about occult and destructive influences in rock music. [3]