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Balinese dancers express the stories of dance-drama through bodily gestures including gestures of fingers, hands, head, and eyes. There is a great richness of dance forms and styles in Bali; and particularly notable are those ritualistic dance dramas which involve Rangda, the witch, and the great beast Barong.
A Manobo woman from Bukidnon with a ginibang bali-og Dancers in full Higaonon traditional attire with bali-og necklaces during the Kaamulan Festival of Bukidnon Umayamnon traditional attire with bali-og necklace and headdress. Bali-og, also spelled baliog, are traditional layered necklaces of various ethnic groups in the islands of Visayas and ...
Two pre-adolescent girls performing Legong dance. Traditionally, legong dancers were girls who had not yet reached puberty. They began rigorous training at about the age of five. These dancers were regarded highly in the society and usually became wives of royal personages or wealthy merchants. [2] They would usually stop dancing after marriage.
Rejang dance (Balinese: ᬋᬚᬂ) is a sacred Balinese dance, a sacrificial dance in which the girls offer themselves to the gods. [1] It is usually held at the Hindu temple's of Klungkung Regency and Karangasem Regency in Bali, Indonesia. “Rejang” means “offering”, a dance to greet the gods that come down to the Earth.
At the end of the performance, the maiden dancers would throw and sprinkle the flower petals towards the guests. This dance is a symbol of welcoming gods, spirits, and guests in some ritual ceremonies in Bali. Pendet actually has simple dance movements. These movements are the basic dance movements of Balinese dance.
A dance known as cendrawasih was designed by I Gde Manik and was first performed in the Sawan subdistrict of the Buleleng Regency in the 1920s; the area is the origin of numerous dances, including Trunajaya, Wirangjaya, and Palawakya. However, this version was significantly different from the dance that is now commonly performed.
The diverse types of gamelan are also specified according to the different types of dance in Bali. According to Walter Spies, the art of dancing is an integral part of Balinese life as well as an endless critical element in a series of ceremonies or for personal interests. [16] Traditionally, displaying female breasts is not considered immodest.
Kecak dancers chant facing the dancer playing as Ravana. The dancers consist of two types: the kecak male-chanters and the main Ramayana dancers who play the roles of Sita, Rama, Lakshmana, Ravana, Hanuman, Jatayu, etc. Some of the kecak male-chanters who chant chak-chak-chak have their own tasks during the performance.