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Over 2,200 different pairs of wooden shoes and footwear with wooden soles from 43 countries. [4] Hundreds of pieces of clog-making equipment from seven European countries. Simple machinery dating from the 1920s, from the Netherlands, Germany and France. An extensive collection of international literature, including photographs.
Dutch clogs, for everyday use. The red painting on top makes the clogs look like leather shoes. It is a traditional motif on painted clogs. A klomp (Dutch: ⓘ, plural klompen [ˈklɔmpə(n)] ⓘ) is a whole-foot clog from the Netherlands. Along with cheese, tulips, and windmills, they are strongly associated with the country and are considered ...
Pattens were worn outdoors over a normal shoe, had a wooden or later wood and metal sole, and were held in place by leather or cloth bands. Pattens functioned to elevate the foot above the mud and dirt (including human effluent and animal dung) of the street, in a period when road and urban paving was minimal. Women continued to wear pattens in ...
William (Boy) Habraken was born at the end of World War II in Eindhoven, The Netherlands. At the age of twenty he separated from his father's shoe-business and started his own import/wholesale company in footwear. In 1970 he moved to Taiwan to become one of the first people to export shoes from there and China to Europe.
Wooden shoes are worn as an essential part of the traditional costume for Dutch clogging, or klompendanskunst. Clogs for dancing are made lighter than the traditional 700-year-old design. The soles are made from ash wood, and the top part is cut lower by the ankle. Dancers create a rhythm by tapping the toes and heels on a wooden floor.
Wooden foot-shaped blocks (lasts) for shaping them have been found in neolithic excavations, e.g. 4900 years old. [1] Bast shoes were still worn in the Russian countryside at the beginning of the twentieth century. Today bast shoes are sold as souvenirs and sometimes worn by ethnographic music or dance troupes as part of their costume.