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Max Duperray explains that the choice of the term "horror" served to distinguish a later school within the Gothic movement, which Frankenstein is partly part of: "[...] whereas the early novels separate good and evil with an insurmountable barrier," he writes, "the later ones usher in the era of moral ambiguity, involving the reader more deeply in the mysteries of the transgressive ...
Mary Shelley's Frankenstein; or, The Modern Prometheus (1818) has come to define Gothic fiction in the Romantic period. Frontispiece to 1831 edition shown. Gothic fiction, sometimes called Gothic horror (primarily in the 20th century), is a loose literary aesthetic of fear and haunting.
Frankenstein's monster, commonly referred to as Frankenstein, [a] is a fictional character that first appeared in Mary Shelley's 1818 novel Frankenstein; or, The Modern Prometheus as its main antagonist.
Frankenstein; or, The Modern Prometheus is an 1818 Gothic novel written by English author Mary Shelley. Frankenstein tells the story of Victor Frankenstein, a young scientist who creates a sapient creature in an unorthodox scientific experiment. Shelley started writing the story when she was 18, and the first edition was published anonymously ...
In Mary Shelley's Frankenstein, Victor Frankenstein, driven by his insatiable desire for knowledge and enlightenment, creates a monster using body parts from deceased criminals in an attempt to make the perfect human being, one who is stronger and smarter than all others. Shortly after, Frankenstein regrets his creation and deserts it.
Grotesque studies, Michelangelo Since at least the 18th century (in French and German, as well as English), grotesque has come to be used as a general adjective for the strange, mysterious, magnificent, fantastic, hideous, ugly, incongruous, unpleasant, or disgusting, and thus is often used to describe weird shapes and distorted forms such as Halloween masks.
Percy Bysshe Shelley's edits, additions, and emendations in a draft of Frankenstein in darker ink in his handwriting. Bodleian. Oxford. Authors have examined and investigated Percy Bysshe Shelley's scientific knowledge and experimentation, his two Gothic horror novels published in 1810 and 1811, his atheistic worldview, his antipathy to church and state, his 1818 Preface to Frankenstein, and ...
Boris Karloff as Frankenstein's monster, Basil Rathbone as Dr. Frankenstein's son Wolf Frankenstein, and Bela Lugosi as Ygor in Son of Frankenstein (1939). Igor, or sometimes Ygor, is a stock character, a sometimes hunch-backed laboratory assistant to many types of Gothic villains or as a fiendish character who assists only himself, the latter most prominently portrayed by Bela Lugosi in Son ...