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Modern Musselmalet or "Blue Fluted" pattern dinner service Pieces of the "Flora Danica" dinner service, Christiansborg Palace. Starting in the 17th century, Europeans, long fascinated by the blue and white porcelain exported from China during the Ming and Qing dynasties, began to imitate the precious ware. [3]
Bing & Grøndahl's Seagull dinnerware, designed by Fanny Garde in 1895. The company's signature design, Seagull, was created in 1892 by designer Fanny Garde (1855-1925). The modest, classic design features flying seagulls against pale blue backgrounds, sea horse handles and shaded patterns of scales around the edges.
Blue and white ware did not accord with Chinese taste at that time, the early Ming work Gegu Yaolun (格古要論) in fact described blue as well as multi-coloured wares as "exceedingly vulgar". [16] Blue and white porcelain however came back to prominence in the 15th century with the Xuande Emperor, and again developed from that time on. [14]
JIESIA porcelain; the main manufacturer in the post-soviet region and the only bone china company in the Baltic States 1941: Figgjo porcelain: Sandnes: Norway: Figgjo is a trend-setting porcelain manufacturer for the professional kitchen (see www.figgjo.com) 1955 JEMA KERAMISCH ATELIER N.V. Maastricht: Netherlands: Jema Holland ceramic studio. 1969
New Hall porcelain; Plymouth Porcelain; Rockingham Pottery; Royal Crown Derby, (1750/57–present) Royal Doulton, (1815–2009 acquired by Fiskars) Royal Worcester, (1751–2008 acquired by Portmeirion Pottery) Spode, (1767–2008 acquired by Portmeirion Pottery) Saint James's Factory (or "Girl-in-a-Swing", 1750s) Swansea porcelain; Vauxhall ...
Chinese blue and white export porcelain, with European scene and French inscription "The Empire of virtue is established to the end of the Universe", Kangxi period, 1690–1700 Chinese export porcelain includes a wide range of Chinese porcelain that was made (almost) exclusively for export to Europe and later to North America between the 16th ...
On a trip to Europe in 1954, Americans Martha and Ted Nierenberg went in search of a product to manufacture and produce for a U.S. audience. During a visit to the Museum of Arts and Crafts Kunstindustrimuseet (today the Danish Museum of Art & Design Designmuseum Danmark) in Copenhagen, they saw a unique set of cutlery on display that combined teak and stainless steel, created by artist ...
Characteristically the background colour is white and the image blue, but various factories have used other colours in monochrome tints and there are Victorian versions with hand-touched polychrome colouring on simple outline transfers. In the United States of America, the pattern is commonly referred to as Blue Willow.