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In 2024, the book was one of the most borrowed titles in American public libraries. [14] According to Book Marks, the book received a "rave" consensus, based on three critic reviews: three "rave". [15] Native Studies Review writes that Braiding Sweetgrass is a "book to savour and to read again and again."
A worldview (also world-view) or Weltanschauung is said to be the fundamental cognitive orientation of an individual or society encompassing the whole of the individual's or society's knowledge, culture, and point of view. [1]. However, when two parties view the same real world phenomenon, their world views may differ, one including elements ...
The dramatistic pentad forms the core structure of dramatism, a method for examining motivations that the renowned literary critic Kenneth Burke developed. Dramatism recommends the use of a metalinguistic approach to stories about human action that investigates the roles and uses of five rhetorical elements common to all narratives, each of which is related to a question.
There is a tension between common sense and refined knowledge.Common sense is ubiquitous and ever present, and therefore gives a strong sense of certainty. But once you reflect upon common sense, it is no longer common sense and has moved into the realm of refined knowledge.
It was first published in 1973 with a completely revised and updated version in 1985 called The New Guide to Modern World Literature at 1,396 pages. [1] The book covers an estimated 2,700 authors and more than 7,500 titles. [1] It contains a total of 33 chapters that treat all modern national literatures individually or in groups. [1]
My daughter was 12, and we were reading this exquisite book out loud to each other. I can remember sitting on her bed, sobbing, unable to get the words out, while my daughter laughed at me—but ...
In contemporary literary studies, a theme is a central topic, subject, or message within a narrative. [1] Themes can be divided into two categories: a work's thematic concept is what readers "think the work is about" and its thematic statement being "what the work says about the subject". [2]
Hemingway said that only the tip of the iceberg showed in fiction—your reader will see only what is above the water—but the knowledge that you have about your character that never makes it into the story acts as the bulk of the iceberg. And that is what gives your story weight and gravitas. —