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José de Sigüenza is credited with the first extensive critique of The Garden of Earthly Delights, in his 1605 History of the Order of St. Jerome. [73] He argued against dismissing the painting as either heretical or merely absurd, commenting that the panels "are a satirical comment on the shame and sinfulness of mankind". [73]
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Luis de Morales (1509 – 9 May 1586) was a Spanish painter active during the Spanish Renaissance in the 16th century. Known as "El Divino", most of his work was of religious subjects, including many representations of the Madonna and Child and the Passion .
Heaven: The saved are entering Heaven, with Jesus and the saints, at the gate of Heaven an Angel prevents a demon from ensnaring a woman. Saint Peter is shown as the gatekeeper. Judgment: Christ is shown in glory while angels awake the dead; Hell: demons torment sinners according to their sins.
Luis Desangles Lubiles (8 February 1861 – 13 April 1940) was a Dominican painter, sculptor, and educator born in Santo Domingo, Dominican Republic. Instructor to many of the great native artists of the era, Desangles is remembered as one of the forerunners of Dominican national art and initiators of the country's costumbrismo style. [1]
By the late 1970s, artist José Luis Cuevas had gathered a large collection of modern artworks by Latin American artists, with the aim of establishing a museum in his name. . The collection was kept in the storage facilities of the Carrillo Gil Museum as Cuevas looked for a suitable location for the collecti
José Luis Álvarez (3 June 1917 in Guatemala City – 5 February 2012 in Antigua Guatemala) was a Guatemalan artist who, from 1976 until his death, lived and painted in Antigua. He became known as one of the best landscape artists from Guatemala [ 1 ] [ 2 ] [ 3 ] and was part of a generation of prolific artists who, as exponents of national ...
The Holy Family with a Little Bird (c. 1650) by Bartolomé Esteban Murillo. The Holy Family with a Little Bird is a c.1650 oil on canvas painting by Bartolomé Esteban Murillo, acquired for the Spanish royal collection by Elisabeth Farnese in 1744 and now in the Prado Museum in Madrid. [1]