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Many of the patriotic vocal works of the Jubilee year combined expressions of Canadian loyalty with effusive panegyrics to Victoria. Roberta Geddes-Harvey, one of Canada's first female composers, composed words and music for Victoria the Rose of England (Canada's Greeting to the Queen on her Diamond Jubilee): [7] Oh Queen by Millions lov'd and ...
Queen Victoria's diamond jubilee service, 22 June 1897 Queen Elizabeth II Diamond Jubilee Monument in Krumau am Kamp remembering the 60th anniversary of Emperor Franz Joseph I's enthronement in 1908. A diamond jubilee celebrates the 60th anniversary of a significant event related to a person (e.g. accession to the throne or wedding, among ...
Devonshire House as featured in The Queen's London (1896) Victoria in her official Diamond Jubilee photograph by W. & D. Downey. In 1897, The Duke and Duchess of Devonshire hosted the Devonshire House Ball at Devonshire House, the London residence (in Piccadilly) of the Dukes of Devonshire in the 18th and 19th centuries.
Tammis Keefe, a cloth designer whose patterns appeared at Lord and Taylor in September 1952, used a harlequin print diamond pattern on a large cloth she crafted for a table setting show. [5] In a July 1954 article in the Washington Post, columnist Olga Curtis mentioned harlequin print fabrics and cellophane as very novel ideas in accessories. [6]
The word is sometimes used to refer to an individual diamond in the design, but more commonly refers to the overall pattern. Most argyle contains layers of overlapping motifs, adding a sense of three-dimensionality, movement, and texture. Typically, there is an overlay of intercrossing diagonal lines on solid diamonds.
English: "Queen Victoria’s Diamond Jubilee Service, 22 June 1897" by Andrew Carrick Gow. Date: 1899. Medium: oil on canvas Collection: Guildhall Art ...