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On a Bb trumpet, the chromatic scale from F# below middle C to high C, is identical to the piccolo's F# below high C to double high C fingering. (Above that is a matter of chops, not fingering.) Going down from F# is a matter of goofing around for a few minutes to figure out which ones work.
The keyed trumpet's popularity peaked in the first decades of the 19th century, sustained by Weidinger and subsequent players throughout Europe. [8] It unlocked the chromatic scale for trumpet players, increasing the versatility of the instrument and allowing its use in the orchestra as a featured, rather than background, instrument. [9]
A chromatic scale exercise from Arban's Method. Arban's series on scales includes studies of major, minor, and chromatic scales, as well as numerous variations thereof. Arban admits to giving minor scales "limited treatment," but Gordon refutes this by citing the nonexistence of "limits on the use of the Trumpet and Cornet." [3]: 57
Chromatic scale drawn as a circle The diatonic scale notes (above) and the non-scale chromatic notes (below) [2] The twelve notes of the octave—all the black and white keys in one octave on the piano—form the chromatic scale. The tones of the chromatic scale (unlike those of the major or minor scale) are all the same distance apart, one ...
The diatonic scale notes (above) and the non-scale chromatic notes (below) [13] Medieval theorists defined scales in terms of the Greek tetrachords. The gamut was the series of pitches from which all the Medieval "scales" (or modes , strictly) notionally derive, and it may be thought of as constructed in a certain way from diatonic tetrachords.
A quarter tone is a pitch halfway between the usual notes of a chromatic scale or an interval about half as wide (orally, or logarithmically) as a semitone, which itself is half a whole tone. Quarter tones divide the octave by 50 cents each, and have 24 different pitches. Trumpet with 3 normal valves and a quartering on the extension valve (right)
This group of lessons ends by introducing accidentals for the chromatic scale. The remaining 51 exercises in the last sixteen lessons introduce sixteenth notes and triplets while visiting all major keys in order of increasing number of flats and sharps. At the end of the thirtieth lesson, there is a 63-measure comprehensive study in 3
The chromatic circle is useful because it represents melodic distance, which is often correlated with physical distance on musical instruments. For instance, assuming 12-tone equal temperament, to move from any C on a keyboard to the nearest E, one must move up four semitones, corresponding to four clockwise steps on the chromatic circle.