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The Empire of Light II (1950), oil on canvas, 79 x 99 cm. Museum of Modern Art, New York. Although Magritte had already completed a few versions by 1953, a retrospective at the 1954 Venice Biennale included a 1954 version (now in the Peggy Guggenheim Collection) that attracted several collectors with expectations of buying the painting.
José Antonio Primo de Rivera y Sáenz de Heredia, 1st Duke of Primo de Rivera, 3rd Marquess of Estella GE (24 April 1903 – 20 November 1936), often referred to simply as José Antonio, was a Spanish fascist [n. 1] politician who founded the Falange Española ("Spanish Phalanx"), later Falange Española de las JONS.
Mask in the Rafael Coronel Museum, Zacatecas Rafael Coronel (24 October 1931 – 7 May 2019) was a Mexican painter. [1] He was the son-in-law of Diego Rivera.. His representational paintings have a melancholic sobriety, and include faces from the past great masters, often floating in a diffuse haze.
He was born in Guanajuato, Mexico and began studying art at the Academy of San Carlos in Mexico City by the age of ten. In his adult years, Rivera spent time studying art in Europe both in Madrid, Spain and Paris, France. While there, he spent time with other artists, such as Ilya Ehrenburg and Max Jacob, learning new styles of art. Rivera ...
The Twenty-Six Point Program of the Falange (Spanish: Programa de Veintiséis Puntos de la Falange), originally the Twenty-Seven Point Program of the Falange (Spanish: Programa de Veintisiete Puntos de la Falange), is a manifesto that was written by José Antonio Primo de Rivera in September 1934.
Jorge González Camarena (24 March 1908 – 24 May 1980) was a Mexican painter, muralist and sculptor.He is best known for his mural work, as part of the Mexican muralism movement, although his work is distinct from the main names associated with it (Rivera, Orozco and Siqueiros).
Dr. Atl was a key figure in the development of Mexican muralism in the early 20th century, alongside artists like Diego Rivera and David Alfaro Siqueiros. His painting style was heavily influenced by the romanticism of the natural world, focusing on depicting Mexico's volcanic and montainous terrain.
Rivera and Arnautoff worked on a series of murals at the National Palace and also at the Palace of Cortés, Cuernavaca. After starting the murals in the National Palace, Rivera went to San Francisco to paint a mural in the new Stock Exchange building, leaving Arnautoff in charge of the Mexican projects for a period of several months.