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If You Could See Me Now" is a 1946 jazz standard, composed by Tadd Dameron. [1] He wrote it especially for vocalist Sarah Vaughan, [2] a frequent collaborator. Lyrics were written by Carl Sigman and it became one of Vaughan's signature songs, inducted into the Grammy Hall of Fame in 1998. [3]
If You Could See Me Now may refer to: "If You Could See Me Now" (1946 song), a 1946 jazz standard, composed by Tadd Dameron "If You Could See Me Now", a 1992 song by Celine Dion from Celine Dion "If You Could See Me Now" (The Script song), 2013; If You Could See Me Now (Etta Jones album), 1979; If You Could See Me Now (Kenny Drew album), 1974
"If You Could See Me Now" is a song by Irish pop rock band The Script, taken from their third studio album, #3 (2012). The song video was released as the album's third single on 18 February 2013. The song was released on 4 March 2013. The track was written by Danny O'Donoghue, Mark Sheehan, Steve Kipner and Andrew Frampton.
"If I Could Hear My Mother Pray Again" (1922) is a popular gospel song written by John Whitfield "Whit" Vaughan (1879–1945), as a tribute to his own mother, Clara Beady Burgess-Vaughan. The words are based on a text by James Rowe, an English settler living in Georgia during the early
The Stamps-Baxter Music Company was an influential publishing company in the shape note Southern gospel music field. The company issued several paperback publications each year with cheap binding and printed on cheap paper. Thus, the older books are now in delicate condition.
The Penguin Guide to Jazz described the album as "a thin set altogether". [1] A reviewer for The Washington Post highlighted "Limehouse Blues", describing it as "fueled by some of the most dynamic and daring excursions this quartet has ever put on record."
("Give Me That") "Old-Time Religion" (and similar spellings) is a traditional Gospel song dating from 1873, when it was included in a list of Jubilee songs, [1] or earlier. It has become a standard in many Protestant hymnals , though it says nothing about Jesus or the gospel, and covered by many artists.
For his 1982 follow-up album (which became Now You See Me, Now You Don't), Richard planned a fully-fledged gospel album. He chose to produce it together with Craig Pruess. A quote from Pruess identifies two particular goals Richard had in mind for the album: "He wanted this album to be more heavyweight and wanted to break away from the pop sound.